Book by Acker Kathy
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Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_477264818
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Vendeur : Bookfever, IOBA (Volk & Iiams), Ione, CA, Etats-Unis
Etat : FINE. First printing. A book which "interweaves the stories of three characters who share the same tragic flaw: a predilection for doomed, obsessive love. Rimbaud, the delinquent symbolist prodigy, is deserted by his lover Verlaine time and time again. Airplane takes a job dancing at Fun City, the seventh tier of the sex industry, in order to support her good-for-nothing boyfriend. And Capitol feels alive only when she's having sex with her brother, Quentin." Reviewer Tim Clark called this "a weird, violent, searing, angry work, full of pain, dislocation, desire, hate and the raging drive of resistant creation." 265 pp. Very near fine in a like dustjacket (one corner slightly bumped). N° de réf. du vendeur 90825
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Vendeur : The Chatham Bookseller, Madison, NJ, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st Edition. 265pp. Lime Green boards, gilt lettering on the spine. Faint sticker ghost on the front pastedown, otherwise like new, clean copy. Unclipped pictorial jacket is bright."In Memoriam to Identity is a weird, violent, searing, angry work, full of pain, dislocation, desire, hate and the raging drive of resistant creation. . . . Kathy Acker has invented a form of secret historiography, a language of shock and sensation that provides a vivid, disruptive, unsettling readout on the psychosocial trauma of our time." Size: octavo. Book. N° de réf. du vendeur 036290
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Vendeur : PAPER CAVALIER UK, London, Royaume-Uni
Etat : very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block. N° de réf. du vendeur 9780802111708-3
Quantité disponible : 1 disponible(s)
Vendeur : Siren Books, London, LONDO, Royaume-Uni
Hardcover. Etat : As New. Etat de la jaquette : New. Jo Bonney (illustrateur). 1st Edition. As new - the dust jacket is in perfect condition protected with cellophane wrap. The pages are crisp - two light creases toward bottom corners of two pages from where they appear to have been folded. Otherwise, just like new. A beautiful hardback 1st edition of a momentous writer. N° de réf. du vendeur ABE-1782819973073
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-080211170X
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Hard cover. Etat : Very good. Etat de la jaquette : Very good. First edition. Jacket spine is slightly sunned, but legibility is not impacted. Jacket edges are worn. Spine is tight. Spine edges are bumped. Cover edges are gently worn. Inside is clean and unmarked. N° de réf. du vendeur 1146063
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Vendeur : Russian Hill Bookstore, San Francisco, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. 265 pages, 8vo. SIGNED by Kathy Acker in light blue ink on front endpaper. Jacket price is unclipped. Stated First Edition. First Printing, with complete number line ending in 1. Shelfwear to DJ: light scuffing, spine fade. DJ in mylar. Spine is lightly cocked, some light foxing and tanning on inside covers and page edges. Tight binding, no marks. Volume is in Very Good condition. Signed by Author(s). N° de réf. du vendeur 066489
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Vendeur : Plot Twist, Baltimore, MD, Etats-Unis
Synopsis "In Memoriam to Identity is a weird, violent, searing, angry work, full of pain, dislocation, desire, hate and the raging drive of resistant creation. . . . Kathy Acker has invented a form of secret historiography, a language of shock and sensation that provides a vivid, disruptive, unsettling readout on the psychosocial trauma of our time."--Tim Clark, Los Angeles Times Book Review. Reviews Acker, known for her scatological excursions into the demimonde of post-modernism, is above all a literalist, and a literary one at that. If her concern is the alienation wrought by industrialization, she literally appropriates Dickens's Pip, as she did in her first novel (sassily titled Great Expectations ), and thrusts him into the complexities of her time. In this new book, Acker mourns the childhood innocence (mostly sexual) lost to socialization. She invokes the writings of Rimbaud and Faulkner, blending them with modern angst and not a little political posturing--about AIDS, Thatcherism, etc. The book's four interlocking stories detail Rimbaud's doomed relationships with his mother and the poet Verlaine, Quentin Compson's deluded engagement with his unfolding fate and the tragic exploitation (again, mostly sexual) of several other characters. The tie that binds these narratives is the frenetic struggle to escape from the limitations of the social self. Acker writes with the coldest beauty and the most perfervid excess; she will find the audience that wants nothing in between. Copyright 1990 Reed Business Information, Inc. Acker's is not polite fiction, nor is it naturalistic. It is, however, challenging, certainly in its style and form but even more in its smart, articulated anger and willingness to affront its audience. Appropriating the lives and works of Rimbaud and Faulkner, this novel continues the challenge. The novel's first three sections introduce its three story lines: Rimbaud and his complex, miserable affair with the older poet Verlaine; Airplane, a young woman working in a sex show, whose story concerns innocence and wildness and public and private acts; and Capitol, the lover of Faulkner's Quentin Compson, a girl struggling free of her parents' influence. As Acker's title warns, memory and identity are linked. Themes recur and change, joining the novel's separate parts until the individual stories themselves become joined and their characters interact. There is much to praise in this difficult novel, not least of which is Acker's confident manipulation of narrative technique. - Kevin Ray, Washington Univ., St. Louis Copyright 1990 Reed Business Information, Inc. N° de réf. du vendeur 105
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