The Real Thing is one of Tom Stoppard's most enduring and highly acclaimed dramatic works, first performed in 1982 at The Strand Theatre in London, starring Felicity Kendal and Roger Rees. The Real Thing begins with Max and Charlotte, a couple whose marriage is on the verge of collapse. Charlotte is an actress who has been appearing in a play about marriage written by her husband, Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture because Henry and Annie have fallen in love. But is it the real thing? Tom Stoppard combines his characteristically brilliant wordplay and wit with flashes of insight that illuminate the nature--and the mystery--of love, creating a multi-toned play that challenges the mind while searching out the innermost secrets of the heart. Winner of the Tony Award for Best Play, The Real Thing is brilliant and heartfelt, an extraordinary theatrical exploration of marriage, fidelity, and the creative life.
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Tom Stoppard was born "Tomás Straüssler" in Zlin, Czechoslovakia in 1937 and moved to England with his family in 1946. Catapulted into the front ranks of modern playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967, he has become recognized as a contemporary comic master, the brilliantly acclaimed author of The Real Inspector Hound, Enter a Free Man, Albert's Bridge, After Magritte, Travesties, Dirty Linen, Jumpers, New-Found-Land, Night and Day, The Real Thing, Hapgood, Artist Descending a Staircase, Every Good Boy Deserves Favor, Arcadia, The Invention of Love, The Coast of Utopia (Voyage, Shipwreck, and Salvage), and Rock 'n' Roll. He has also written a number of screenplays, including The Romantic Englishwoman, Despair, and Brazil. In 2017, he was awarded the David Cohen Prize for a lifetime's achievement in literature.
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Paperback. Etat : Good. Henry James (1843 - 1916) was one of the leaders in the school of realism in fiction. He is known for his series of novels in which he portrayed the encounter of America with Europe. James is considered to be the master of the novel and novella. James wrote about personal relationships and the power within these relationships. James explored consciousness and perception from the point of view of a character within a tale. An excerpt from The Real Thing begins, It was only then that I understood the service Claude Rivet had rendered me; he had told them that I worked in black and white, for magazines, for story-books, for sketches of contemporary life, and consequently had frequent employment for models. These things were true, but it was not less true (I may confess it now--whether because the aspiration was to lead to everything or to nothing I leave the reader to guess), that I couldn't get the honours, to say nothing of the emoluments, of a great painter of portraits out of my head. My illustrations were my pot-boilers; I looked to a different branch of art (far and away the most interesting it had always seemed to me), to perpetuate my fame. There was no shame in looking to it also to make my fortune; but that fortune was by so much further from being made from the moment my visitors wished to be done for nothing. I was disappointed; for in the pictorial sense I had immediately SEN them. I had seized their type--I had already settled what I would do with it. Something that wouldn't absolutely have pleased them, I afterwards reflected. N° de réf. du vendeur 00108488261
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Paperback. Etat : Good. Henry James (1843 - 1916) was one of the leaders in the school of realism in fiction. He is known for his series of novels in which he portrayed the encounter of America with Europe. James is considered to be the master of the novel and novella. James wrote about personal relationships and the power within these relationships. James explored consciousness and perception from the point of view of a character within a tale. An excerpt from The Real Thing begins, It was only then that I understood the service Claude Rivet had rendered me; he had told them that I worked in black and white, for magazines, for story-books, for sketches of contemporary life, and consequently had frequent employment for models. These things were true, but it was not less true (I may confess it now--whether because the aspiration was to lead to everything or to nothing I leave the reader to guess), that I couldn't get the honours, to say nothing of the emoluments, of a great painter of portraits out of my head. My illustrations were my pot-boilers; I looked to a different branch of art (far and away the most interesting it had always seemed to me), to perpetuate my fame. There was no shame in looking to it also to make my fortune; but that fortune was by so much further from being made from the moment my visitors wished to be done for nothing. I was disappointed; for in the pictorial sense I had immediately SEN them. I had seized their type--I had already settled what I would do with it. Something that wouldn't absolutely have pleased them, I afterwards reflected. N° de réf. du vendeur CIN0802127444G
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