With a novelist's skill and the insight of an historian, bestselling author Ross King recalls a seminal period when Paris was the artistic center of the world, and the rivalry between Meissonier and Manet.
While the Civil War raged in America, another revolution took shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been quite so controversial. The drama of its birth, played out on canvas and against the backdrop of the Franco-Prussian War and the Commune, would at times resemble a battlefield; and as Ross King reveals, it would reorder both history and culture, and resonate around the world.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Born and raised in Canada, Ross King has lived in England since 1992. In 2002-03, two books of his were published in the United States, Domino, about the world of masquerades and opera in 18th century London and the New York Times bestselling Michelangelo and the Pope's Ceiling.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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