This is a print on demand book and is therefore non- returnable.
While there has been a growing interest in the use of grotesque imagery in art and literature, very little attention has been given to the religious and theological significance of such imagery. This fascinating book redresses that neglect by exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry. The discussion begins with the debate over both the definition of the grotesque and theoretical approaches to understanding its meaning and importance for the late twentieth century. Wilson Yates engages with the thought of four leading contemporary theorists -- Wolfgang Kayser, Mikhail Bakhtin, Geoffrey Galt Harpham, and Ewa Kuryluk. James Luther Adams considers the appearance of the grotesque in contemporary social and political crises and its implications for our future. Roger Hazelton reflects on how both theology and grotesque art speak to the mystery of being human in an unmanageable world. The discussion continues with the treatment of the grotesque in the visual arts. Margaret Miles discusses the female body as the focus of the grotesque in medieval times. Wolfgang Stechow examines the significance of grotesque imagery in the paintings of the fifteenth-century Dutch artist Hieronymus Bosch. John W. Cook explores the use of "ugly beauty" in Christian art. A second essay by Wilson Yates provides an in-depth look at the religious iconography and grotesque imagery in the work of the twentieth-century artist Francis Bacon. The final three chapters consider the use of the grotesque in the literary arts. Yasuhiro Ogawa discusses Shakespeare's use of the grotesque in Hamlet. Susan Corey looks at the work of Toni Morrison, specifically her use of the grotesque in her novel Beloved. The volume concludes with an original work -- published here for the first time -- by poet laureate Robert Penn Warren, a stage adaptation of his poem Ballad of a Sweet Dream of Peace, complete with an introduction by the author.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Wilson Yates is president emeritus of United Theological Seminary of the Twin Cities as well as professor emeritus of religion, society and the arts. Ordained in the United Methodist Church, he holds dual standing in the United Church of Christ.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. This is a print on demand book and is therefore non- returnable. While there has been a growing interest in the use of grotesque imagery in art and literature, very little attention has been given to the religious and theological significance of such imagery. This fascinating book redresses that neglect by exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry. The discussion begins with the debate over both the definition of the grotesque and theoretical approaches to understanding its meaning and importance for the late twentieth century. Wilson Yates engages with the thought of four leading contemporary theorists -- Wolfgang Kayser, Mikhail Bakhtin, Geoffrey Galt Harpham, and Ewa Kuryluk. James Luther Adams considers the appearance of the grotesque in contemporary social and political crises and its implications for our future. Roger Hazelton reflects on how both theology and grotesque art speak to the mystery of being human in an unmanageable world. The discussion continues with the treatment of the grotesque in the visual arts. Margaret Miles discusses the female body as the focus of the grotesque in medieval times. Wolfgang Stechow examines the significance of grotesque imagery in the paintings of the fifteenth-century Dutch artist Hieronymus Bosch. John W. Cook explores the use of "ugly beauty" in Christian art. A second essay by Wilson Yates provides an in-depth look at the religious iconography and grotesque imagery in the work of the twentieth-century artist Francis Bacon. The final three chapters consider the use of the grotesque in the literary arts. Yasuhiro Ogawa discusses Shakespeare's use of the grotesque in Hamlet. Susan Corey looks at the work of Toni Morrison, specifically her use of the grotesque in her novel Beloved. The volume concludes with an original work -- published here for the first time -- by poet laureate Robert Penn Warren, a stage adaptation of his poem Ballad of a Sweet Dream of Peace, complete with an introduction by the author. N° de réf. du vendeur 00097199484
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0802842674I4N10
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 15665046-6
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. This is a print on demand book and is therefore non- returnable. While there has been a growing interest in the use of grotesque imagery in art and literature, very little attention has been given to the religious and theological significance of such imagery. This fascinating book redresses that neglect by exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry. The discussion begins with the debate over both the definition of the grotesque and theoretical approaches to understanding its meaning and importance for the late twentieth century. Wilson Yates engages with the thought of four leading contemporary theorists -- Wolfgang Kayser, Mikhail Bakhtin, Geoffrey Galt Harpham, and Ewa Kuryluk. James Luther Adams considers the appearance of the grotesque in contemporary social and political crises and its implications for our future. Roger Hazelton reflects on how both theology and grotesque art speak to the mystery of being human in an unmanageable world. The discussion continues with the treatment of the grotesque in the visual arts. Margaret Miles discusses the female body as the focus of the grotesque in medieval times. Wolfgang Stechow examines the significance of grotesque imagery in the paintings of the fifteenth-century Dutch artist Hieronymus Bosch. John W. Cook explores the use of "ugly beauty" in Christian art. A second essay by Wilson Yates provides an in-depth look at the religious iconography and grotesque imagery in the work of the twentieth-century artist Francis Bacon. The final three chapters consider the use of the grotesque in the literary arts. Yasuhiro Ogawa discusses Shakespeare's use of the grotesque in Hamlet. Susan Corey looks at the work of Toni Morrison, specifically her use of the grotesque in her novel Beloved. The volume concludes with an original work -- published here for the first time -- by poet laureate Robert Penn Warren, a stage adaptation of his poem Ballad of a Sweet Dream of Peace, complete with an introduction by the author. N° de réf. du vendeur CIN0802842674G
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Vendeur : HPB-Red, Dallas, TX, Etats-Unis
paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_442283525
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Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_485023660
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780802842671. N° de réf. du vendeur 3738098
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 257162
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Vendeur : Lakeside Books, Benton Harbor, MI, Etats-Unis
Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! N° de réf. du vendeur OTF-S-9780802842671
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 257162-n
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