Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications.
Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art.
Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jorge Daniel Veneciano is the director of the Sheldon Museum of Art. He is the coeditor of Fabulous Harlequin: ORLAN and the Patchwork Self (Nebraska, 2010) and the editor of Neo-Constructivism: Art, Architecture, and Activism and Play's the Thing: Reading the Art of Jun Kaneko.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780803240926
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Etat : New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . N° de réf. du vendeur V9780803240926
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780803240926
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