Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. Fuller understanding has been delayed because many of his writings have not yet been edited or published. This volume collects four short works, each concentrated on a key issue in composition. Written in 1917, but altered and augmented many times in later years, the manuscripts edited and translated in this volume have never been published before. Their importance can permit no further delay since they present Schoenberg's thinking well after the publication in 1911 of Harmonielehre, his revolutionary theoretical book. The later texts provide numerous prospects for enhancing the study and appreciation of Schoenberg's compositions and theories. Also a painter, Schoenberg enjoyed the friendship of Kandinsky and the Berlin expressionists. This volume includes a frontispiece reproducing one of Schoenberg's paintings.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Severine Neff is an associate professor of music theory at the University of Cincinnati College-Conservatory of Music. Charlotte Cross received her Ph.D in historical musicology from Columbia University, where she has also taught.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 55492479-6
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Vendeur : G.J. Askins Bookseller, New Lebanon, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Fair. 136 page hardcover with music example illustrations. Inscribed to prior owner (Composer Otto Luening) by editor Severine Neff.Edited and with introduction by Neff; translated by Charlotte M. Cross and Severine Neff. Dust jacket has some fraying and light spiling - fair to good condition. Exterior is full blue cloth with title on spine in silver. Interior is unmarked, tight and clean. Signed by Editor. N° de réf. du vendeur 541233
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Vendeur : Gleebooks, Sydney, NSW, Australie
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. lxix, 135pp, b/w illus., musical notation, appendices, works cited, index. German/English Text. Dustjacket lightly rubbed with some creases and surface marks.(BH) 11/2025. N° de réf. du vendeur ABE-1758677037466
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Vendeur : G. & J. CHESTERS, TAMWORTH, Royaume-Uni
Hardcover. Etat : Very Good. Dust Jacket Included. pp.lxxii,135, many music examples, English and German text, hardback, a very good+ copy in a very good+ dust-jacket [0803242301]. N° de réf. du vendeur 125819
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Vendeur : Burwood Books, Wickham Market, Royaume-Uni
Hardcover. Etat : Good. First Edition. Hardback. Dust Jacket. 4to. Original publishers black cloth, lettered silver at the spine. Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. ISBN: 0803242301 Pages: 135 Very good indeed in slightly used, close very good dust jacket. N° de réf. du vendeur C89255
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