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- ÉditeurStanford University Press
- Date d'édition1988
- ISBN 10 0804717184
- ISBN 13 9780804717182
- ReliureBroché
- Nombre de pages336
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
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Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
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Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
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Hidden in Plain View: Narrative and Creative Potentials in War and Peace
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Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
Edité par
Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
Ancien ou d'occasion
Couverture souple
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
Edité par
Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
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Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
Edité par
Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
Ancien ou d'occasion
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
Edité par
Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
Ancien ou d'occasion
Softcover
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Softcover. Etat : Good. 1. For decades, the formal peculiarities of War and Peace disturbed Russian and Western critics, who attributed both the anomalous structure and the literary power of the book to Tolstoy's "primitive," unruly genius. Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work's first readers and thereby illuminates Tolstoy's theoretical and narratological concerns.The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both novelistic and historical. Developing and challenging the ideas of Mikhail Bakhtin, Morson explores Tolstoy's account of the work's composition in light of various myths of the creative process. He proposes a theory of "creation by potential" that incorporates Tolstoy's main concerns: the "openness" of each historical moment; the role of chance in history and within narrative patterns; and the efficacy of ordinary events, "hidden in plain view," in shaping history and individual psychology. In his reading of Tolstoy, he demonstrates how we read literary works within the "penumbral text" of associated theories of creativity. N° de réf. du vendeur SONG0804717184
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Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
Edité par
Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
Neuf
paperback
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paperback. Etat : New. 1st Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes). N° de réf. du vendeur 000389158N
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Image d'archives
Hidden in Plain View: Narrative and Creative Potentials in 'War and Peace'
Edité par
Stanford University Press, 1988
ISBN 10 : 0804717184
ISBN 13 : 9780804717182
Neuf
Softcover
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Softcover. Etat : New. 1. For decades, the formal peculiarities of War and Peace disturbed Russian and Western critics, who attributed both the anomalous structure and the literary power of the book to Tolstoy's "primitive," unruly genius. Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work's first readers and thereby illuminates Tolstoy's theoretical and narratological concerns.The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both novelistic and historical. Developing and challenging the ideas of Mikhail Bakhtin, Morson explores Tolstoy's account of the work's composition in light of various myths of the creative process. He proposes a theory of "creation by potential" that incorporates Tolstoy's main concerns: the "openness" of each historical moment; the role of chance in history and within narrative patterns; and the efficacy of ordinary events, "hidden in plain view," in shaping history and individual psychology. In his reading of Tolstoy, he demonstrates how we read literary works within the "penumbral text" of associated theories of creativity. N° de réf. du vendeur DADAX0804717184
Quantité disponible : 1 disponible(s)