This study explores the relation between Samuel Beckett s five major novels Murphy, Watt, Molloy, Malone Dies, and The Unnamable and the phenomenon that Lyotard, Habermas, and Vattimo have described as the end of modernity. Through close readings of Beckett s pentalogy, the author shows how these novels, written between 1935 and 1950, strikingly anticipate many of the defining themes and ideas of Barthes, Foucault, and Derrida from madness and the cogito to the death of the author and the end of the book, from diffZrance and unnamability to the end of man and the beginning of writing. The book begins by situating Beckett in relation to a postmodern philosophical tradition, largely defined by Nietzsche and Heidegger, and a modern literary tradition, most notably represented by Proust and Joyce. The author argues against the tendency to treat the postmodern as the negation of Enlightenment thinking, a form of overcoming in which the modern is replaced by the anti-modern. In the place of this antithetical postmodernism, the author proposes a diffZrantial postmodernism. Especially important in this regard is Derrida s claim that there is never any question of choosing between modernity (what he calls Western metaphysics) and some term of opposition (the overcoming of metaphysics). Rather, Derrida recommends practicing a new writing which simultaneously brings together two kinds of deconstruction one that works critically within the tradition and one that projects itself imaginatively beyond the tradition.
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Vendeur : Saint Georges English Bookshop, Berlin, Allemagne
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Near mint hardcover in near mint unclipped jacket with light scuffing, Ships airmail from Berlin Bookshop bxn36. N° de réf. du vendeur 4472bx
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0804727317. N° de réf. du vendeur 3993810
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Vendeur : RT Books, Witney, Royaume-Uni
Hardcover. Etat : As New. Etat de la jaquette : As New. N° de réf. du vendeur 152
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Vendeur : Riverby Books (DC Inventory), Fredericksburg, VA, Etats-Unis
Hardcover. Etat : Very good. Etat de la jaquette : Very good. Hardcover with DJ. Binding strong. Pages free of marks or wrinkles. This description was written by an actual person in an actual bookstore, with the book right in front of me for inspection, so you can buy with confidence. Please e-mail us with questions or to request photos. N° de réf. du vendeur F-5415
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Vendeur : Rons Bookshop (Canberra, Australia), Canberra, ACT, Australie
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. This study explores the relation between Samuel Beckett's five major novels-- Murphy, Watt, Molloy, Malone Dies, and The Unnamable-- and the phenomenon that Lyotard, Habermas, and Vattimo have described as the "end of modernity." Though close readings of Beckett's "pentalogy," the author shows how these novels, written between 1935 and 1950, strikingly anticipate many of the defining themes and ideas of Barthes, Foucault, and Derrida-- from madness and the cogito to the "death of the author" and the "end of the book," from differance and unnamability to the "end of man" and the "beginning of writing." **The book has a tiny black (remainder?) dot at the bottom.**. N° de réf. du vendeur 003422
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