Phantom Communities reconsiders the status of the simulacrum-sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model-in light of recent debates in literature, art, philosophy, and cultural studies.
The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, René Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raúl Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon.
On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze. In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context.
Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Scott Durham is Assistant Professor of French at Northwestern University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : P.C. Schmidt, Bookseller, Kettering, OH, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. fine hardcover in fine dustjacket; a solid copy; For their protection I cover all dustjackets with a new clear mylar sleeve; SATISFACTION GUARANTEED; Size: 6 x 9". N° de réf. du vendeur A60868
Quantité disponible : 1 disponible(s)
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : Good. Used copy in good condition - Usually dispatched within 3 working days. N° de réf. du vendeur D9780804730716
Quantité disponible : 2 disponible(s)
Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0804730717
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780804730716
Quantité disponible : 15 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 252445-n
Quantité disponible : Plus de 20 disponibles
Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. Phantom Communities reconsiders the status of the simulacrum-sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model-in light of recent debates in literature, art, philosophy, and cultural studies. The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, René Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raúl Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon. On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze. In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context. Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images. N° de réf. du vendeur LU-9780804730716
Quantité disponible : Plus de 20 disponibles
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9780804730716
Quantité disponible : Plus de 20 disponibles
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur 3eddc96dcfbd1931fb8708084fa007be
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 252445
Quantité disponible : Plus de 20 disponibles
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 268. N° de réf. du vendeur 58225335
Quantité disponible : 3 disponible(s)