This book proposes a new view of the democratization of America by recasting democracy as a symbolic theater, historically realized in an untheorized and irrational public utterance that began with the Salem witchcraft crisis of 1692 and extended through the Great Awakening and the antebellum era. This discursive practice gave rise, as popular voice, to a distinctive mode of political and literary subjectivity, "democratic personality," which emerged without reference to the political-philosophical currents and attendant humanistic values that anticipated the formation of a liberal democratic society.
The author constructs a genealogy of democratic personality by examining the historical and, later, fictional theaters within which it emerged to redefine the relation of appearance to reality and thus challenge hierarchies of political and cultural power. Its history, as outlined in the first half of the book, traces how colonial culture forsook Puritan cosmology to embrace the complex cultural semiosis of a democratic society based on the representational potential of the individual. As a strategy for self-production that spurred an urgent inquiry into the ontological status of representation, democratic personality crucially influenced the rise of a national literature by complicating the ideological problem of establishing a "democratic" poetics.
The second half of the book examines the development-in the work of Brown, Crèvecoeur, Burroughs, Cooper, Emerson, and Whitman-of an American "aesthetic of innocence." As a platform for the production of a national literature that would claim a unique exemption from the deformations of fiction, the aesthetic of innocence evolved into the practice of a literary eugenics that intended to domesticate democratic personality by embracing its primitive energies as uniquely American while attempting to contain the subversive uncontainability of its voice. The book concludes with a reading of Billy Budd, Melville's novelistic rejection of liberal culture's attempt to domesticate democratic personality.
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Vendeur : Kenneth A. Himber, Lebanon, NJ, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. First Printing. Book is a clean tight unmarked copy. N° de réf. du vendeur 007484
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name - GOOD HARDCOVER Standard-sized. N° de réf. du vendeur 0804730962-01
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Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Etat : New. N° de réf. du vendeur ABLIING23Feb2416190201665
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. This book proposes a new view of the democratization of America by recasting democracy as a symbolic theater, historically realized in an untheorized and irrational public utterance that began with the Salem witchcraft crisis of 1692 and extended through the Great Awakening and the antebellum era. This discursive practice gave rise, as popular voice, to a distinctive mode of political and literary subjectivity, "democratic personality," which emerged without reference to the political-philosophical currents and attendant humanistic values that anticipated the formation of a liberal democratic society. The author constructs a genealogy of democratic personality by examining the historical and, later, fictional theaters within which it emerged to redefine the relation of appearance to reality and thus challenge hierarchies of political and cultural power. Its history, as outlined in the first half of the book, traces how colonial culture forsook Puritan cosmology to embrace the complex cultural semiosis of a democratic society based on the representational potential of the individual. As a strategy for self-production that spurred an urgent inquiry into the ontological status of representation, democratic personality crucially influenced the rise of a national literature by complicating the ideological problem of establishing a "democratic" poetics. The second half of the book examines the development-in the work of Brown, Crèvecoeur, Burroughs, Cooper, Emerson, and Whitman-of an American "aesthetic of innocence." As a platform for the production of a national literature that would claim a unique exemption from the deformations of fiction, the aesthetic of innocence evolved into the practice of a literary eugenics that intended to domesticate democratic personality by embracing its primitive energies as uniquely American while attempting to contain the subversive uncontainability of its voice. The book concludes with a reading of Billy Budd, Melville's novelistic rejection of liberal culture's attempt to domesticate democratic personality. N° de réf. du vendeur LU-9780804730969
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Vendeur : BennettBooksLtd, San Diego, NV, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0804730962
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. An analysis of popular responses to certain key historical events and works of American literature, arguing that these responses were at odds with liberal views being expressed by leading politicians of the day. Events covered include, the Salem witchcra. N° de réf. du vendeur 595014154
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Vendeur : Rarewaves USA United, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. This book proposes a new view of the democratization of America by recasting democracy as a symbolic theater, historically realized in an untheorized and irrational public utterance that began with the Salem witchcraft crisis of 1692 and extended through the Great Awakening and the antebellum era. This discursive practice gave rise, as popular voice, to a distinctive mode of political and literary subjectivity, "democratic personality," which emerged without reference to the political-philosophical currents and attendant humanistic values that anticipated the formation of a liberal democratic society. The author constructs a genealogy of democratic personality by examining the historical and, later, fictional theaters within which it emerged to redefine the relation of appearance to reality and thus challenge hierarchies of political and cultural power. Its history, as outlined in the first half of the book, traces how colonial culture forsook Puritan cosmology to embrace the complex cultural semiosis of a democratic society based on the representational potential of the individual. As a strategy for self-production that spurred an urgent inquiry into the ontological status of representation, democratic personality crucially influenced the rise of a national literature by complicating the ideological problem of establishing a "democratic" poetics. The second half of the book examines the development-in the work of Brown, Crèvecoeur, Burroughs, Cooper, Emerson, and Whitman-of an American "aesthetic of innocence." As a platform for the production of a national literature that would claim a unique exemption from the deformations of fiction, the aesthetic of innocence evolved into the practice of a literary eugenics that intended to domesticate democratic personality by embracing its primitive energies as uniquely American while attempting to contain the subversive uncontainability of its voice. The book concludes with a reading of Billy Budd, Melville's novelistic rejection of liberal culture's attempt to domesticate democratic personality. N° de réf. du vendeur LU-9780804730969
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - This book proposes a new view of the democratization of America by recasting democracy as a symbolic theater, historically realized in an untheorized and irrational public utterance that began with the Salem witchcraft crisis of 1692 and extended through the Great Awakening and the antebellum era. This discursive practice gave rise, as popular voice, to a distinctive mode of political and literary subjectivity, 'democratic personality,' which emerged without reference to the political-philosophical currents and attendant humanistic values that anticipated the formation of a liberal democratic society.The author constructs a genealogy of democratic personality by examining the historical and, later, fictional theaters within which it emerged to redefine the relation of appearance to reality and thus challenge hierarchies of political and cultural power. Its history, as outlined in the first half of the book, traces how colonial culture forsook Puritan cosmology to embrace the complex cultural semiosis of a democratic society based on the representational potential of the individual. As a strategy for self-production that spurred an urgent inquiry into the ontological status of representation, democratic personality crucially influenced the rise of a national literature by complicating the ideological problem of establishing a 'democratic' poetics.The second half of the book examines the development--in the work of Brown, Crèvecoeur, Burroughs, Cooper, Emerson, and Whitman--of an American 'aesthetic of innocence.' As a platform for the production of a national literature that would claim a unique exemption from the deformations of fiction, the aesthetic of innocence evolved into the practice of a literary eugenics that intended to domesticate democratic personality by embracing its primitive energies as uniquely American while attempting to contain the subversive uncontainability of its voice. The book concludes with a reading of Billy Budd, Melville's novelistic rejection of liberal culture's attempt to domesticate democratic personality. N° de réf. du vendeur 9780804730969
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