Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied-not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership?
In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Andrew Shryock is Associate Professor of Anthropology at the University of Michigan.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : My Dead Aunt's Books, Hyattsville, MD, Etats-Unis
paperback. Etat : Very Good. Clean, unmarked pages. The cover has very light wear and bumping on the corners. N° de réf. du vendeur 83069F
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Vendeur : The Haunted Bookshop, LLC, Iowa City, IA, Etats-Unis
Paperback. Etat : Near Fine. Crisp, clean pages; no owners' marks; the soft cover shows only very light shelfwear at corners; otherwise excellent. xiii, 354pp. incl. index. N° de réf. du vendeur 78801
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780804750073. N° de réf. du vendeur 3986515
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Vendeur : Salsus Books (P.B.F.A.), Kidderminster, Royaume-Uni
Soft cover. Etat : Very Good. 1st Edition. 368pp paperback, number written in ink to half-title else very good. N° de réf. du vendeur 062713
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 2600842
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 2600842-n
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied-not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership? In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed. N° de réf. du vendeur LU-9780804750073
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied-not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership? In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed. N° de réf. du vendeur LU-9780804750073
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur b6c3844281a455397b7ced7591fcc8e0
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 368. N° de réf. du vendeur 6281828
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