Obscure Invitations argues that the apparent instances of "the death of the Author" in twentieth-century literature are in fact carefully staged performances that ultimately affirm authorial vitality and control of both text and reader.
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Benjamin Widiss is Assistant Professor of English at Princeton University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. N° de réf. du vendeur M080477322XZ3
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. Literary studies in the postwar era have consistently barred attributing specific intentions to authors based on textual evidence or ascribing textual presences to the authors themselves. Obscure Invitations argues that this taboo has blinded us to fundamental elements of twentieth-century literature. Widiss focuses on the particularly self-conscious constructions of authorship that characterize modernist and postmodernist writing, elaborating the narrative strategies they demand and the reading practices they yield. He reveals that apparent manifestations of "the death of the author" and of the "free play" of language are performances that ultimately affirm authorial control of text and reader. The book significantly revises received understandings of central texts by Faulkner, Stein, and Nabokov. It then discusses Eggers' Heartbreaking Work of Staggering Genius and the films Seven and The Usual Suspects, demonstrating that each is a highly self-aware rebuttal of the notion of authorial absence. N° de réf. du vendeur LU-9780804773225
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 13969982
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 13969982-n
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Obscure Invitations argues that the apparent instances of the death of the Author in twentieth-century literature are in fact carefully staged performances that ultimately affirm authorial vitality and control of both text and reader.Über den. N° de réf. du vendeur 867670692
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 208 pages. 9.25x6.25x0.75 inches. In Stock. N° de réf. du vendeur x-080477322X
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Vendeur : Rarewaves USA United, HEBRON, KY, Etats-Unis
Hardback. Etat : New. Literary studies in the postwar era have consistently barred attributing specific intentions to authors based on textual evidence or ascribing textual presences to the authors themselves. Obscure Invitations argues that this taboo has blinded us to fundamental elements of twentieth-century literature. Widiss focuses on the particularly self-conscious constructions of authorship that characterize modernist and postmodernist writing, elaborating the narrative strategies they demand and the reading practices they yield. He reveals that apparent manifestations of "the death of the author" and of the "free play" of language are performances that ultimately affirm authorial control of text and reader. The book significantly revises received understandings of central texts by Faulkner, Stein, and Nabokov. It then discusses Eggers' Heartbreaking Work of Staggering Genius and the films Seven and The Usual Suspects, demonstrating that each is a highly self-aware rebuttal of the notion of authorial absence. N° de réf. du vendeur LU-9780804773225
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