Mimesis and Theory brings together twenty of René Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"--a groundbreaking account of human interaction and of the genesis of cultural forms.
The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard--Stendhal, Proust, and Dostoevsky--receive extended treatment, and Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism.
Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as theory.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
René Girard is the Andrew B. Hammond Professor Emeritus of French Civilization at Stanford University and a member of the Académie française. Robert Doran is James P. Wilmot Assistant Professor of French and Comparative Literature at the University of Rochester.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Mimesis and Theory brings together twenty of René Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"-a groundbreaking account of human interaction and of the genesis of cultural forms. The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard-Stendhal, Proust, and Dostoevsky-receive extended treatment, and Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism. Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as theory. N° de réf. du vendeur LU-9780804781077
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Etat : New. Mimesis and Theory brings together twenty previously uncollected essays on literature and literary theory by one of the most important thinkers of the past thirty years. Editor(s): Doran, Robert. Series: Cultural Memory in the Present. Num Pages: 344 pages. BIC Classification: DSA. Category: (G) General (US: Trade). Dimension: 225 x 154 x 22. Weight in Grams: 472. . 2011. Paperback. . . . . N° de réf. du vendeur V9780804781077
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Paperback. Etat : New. Mimesis and Theory brings together twenty of René Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"-a groundbreaking account of human interaction and of the genesis of cultural forms. The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard-Stendhal, Proust, and Dostoevsky-receive extended treatment, and Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism. Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as theory. N° de réf. du vendeur LU-9780804781077
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Paperback. Etat : New. Mimesis and Theory brings together twenty of René Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"-a groundbreaking account of human interaction and of the genesis of cultural forms. The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard-Stendhal, Proust, and Dostoevsky-receive extended treatment, and Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism. Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as theory. N° de réf. du vendeur LU-9780804781077
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