Book by Maskell Alfred
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Art LiL rarg -, L- A PREFACE IVORY sculpture has long formed an interesting subject in literature, and the examples to be found in the great national and private collections throughout the world, though not numerous, have, it may be said, a special importance not inferior to those of any other department of the worlds art. The estimation in which they are held arises from various causes. First from their comparative rarity, next because practically all examples of importance and their whereabouts are known, and lastly from their intrinsic beauty, and from the fact that they not only constitute an epitome, as it were, of the worlds art from the earliest times down to at least the period of the renaissance, but because they form almost the sole links in the chain of examples of artistic development during the many centuries when, in other directions, this makes almost total default. The literature concerning carvings in ivory, especially the dissertations upon such an important section as the consular diptychs, is voluminous, and includes the names of the most distinguished archaeologists and critics, going back almost to the sixteenth century, in days when the study of the fine arts received less attention than it does now. But, generally speaking, it deals with special divisions, and we have no connected accounts of the progress of ivory carving throughout the worlds
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text.
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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