The work of Chippewa artist George Morrison (1919-2000) has enjoyed widespread critical acclaim. His paintings, drawings, prints, and sculptures have been displayed in numerous public and private exhibitions, and he is one of Minnesota's most cherished artists. Yet because Morrison's artwork typically does not include overt references to his Indian heritage, it has stirred debate about what it means to be a Native American artist. This stunning catalogue, featuring 130 color and black-and-white images, showcases Morrison's work across a spectrum of genres and media, while also exploring the artist's identity as a modernist within the broader context of twentieth-century American and Native American art.
Born and raised near the Grand Portage Indian Reservation in Minnesota, Morrison graduated from the Minnesota School of Art and the Art Students League in New York City. He spent his early career mainly on the East Coast, becoming one of the first Native American artists to exhibit his work extensively in New York. Best known for his landscape paintings and wood collages, he employed a variety of media - paint, wood, ink and metal, paper, and canvas - and developed a unique style that combined elements of cubism, surrealism, and abstract expressionism.
In her foreword to Modern Spirit, Cherokee artist Kay WalkingStick describes her personal association with Morrison and admiration for his authentic artistic vision. Kristin Makholm, in her introduction to the volume, explores Morrison's ties to Minnesota and his legacy within the history of Minnesota art and culture. Then, drawing on extensive primary research and Morrison's own writings, W. Jackson Rushing III offers an in-depth analysis of Morrison's artistic evolution against the backdrop of evolving definitions of ""Indianness.""
By expanding our understanding of Morrison's singular vision, Modern Spirit invites readers to appreciate more deeply the beauty and complexity of his art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
W. Jackson Rushing III is Eugene B. Adkins Presidential Professor of Art History and Mary Lou Milner Carver Chair in Native American Art at the University of Oklahoma School of Art and Art History.
Kristin Makholm is Executive Director of the Minnesota Museum of American Art.
Kay WalkingStick, an enrolled member of the Cherokee Nation, is a world-renowned artist.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midway Book Store (ABAA), St. Paul, MN, Etats-Unis
Paperback. Etat : Very Good. George Morrison (illustrateur). Reprint. 28 x 23 cm. Quarto. 181pp. 82 plates of Morrison's work as well as smaller illustrations like advertisements, chronology, and bibliography. Mild toning to the covers. Catalogue for the exhibition held at Plains Art Museum, Fargo, ND June 16, 2013 - September 1, 2013, National Museum of the American Indian, New York, NY, September 28, 2013 - February 13, 2014, Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN, March 29, 2014 - September 14, 2014, Heard Museum, Phoenix, AZ October 25, 2014 - January 12, 2015, and Minnesota History Center, St. Paul, MN, February 14, 2015 - April 26, 2015. N° de réf. du vendeur 90776
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Vendeur : Westsider Rare & Used Books Inc., New York, NY, Etats-Unis
Softcover. Etat : Fine to Like New. (loc B 18). N° de réf. du vendeur 50671
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Vendeur : YESIBOOKSTORE, MIAMI, FL, Etats-Unis
paperback. Etat : As New. N° de réf. du vendeur 0806143932-VB
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Paperback. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 66T73_56_0806143932
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Vendeur : funyettabooks, Bloomington, MN, Etats-Unis
Paperback. Etat : New. New. Very little shelfwear. 2nd printing. 181 pages. There may be a little darkening on the white areas. Size: 4to - over 9¾" - 12" Tall. Art. N° de réf. du vendeur 052482
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