Mary Oliver, winner of the Pulitzer Prize for poetry, is one of the most celebrated poets in America. Molly Malone Cook, who died in 2005, was Oliver's partner for many years, a pioneer gallery owner and photographer. Our World weaves forty-nine of Cook's photographs and selections from her journals with Oliver's extended writings, both reminiscence and reflection, in prose and in poetry. The result is an intimate revelation of their lives and art.
Within the art world, Molly Malone Cook made her reputation as an early advocate of photography as an art form; she was a champion of the work of now-famous photographers, including Edward Steichen, Eugene Atget, Berenice Abbott, Minor White, Ansel Adams, Harry Callahan, and W. Eugene Smith. There are famous faces here as well, captured by Cook's camera, among them Walker Evans, Robert Motherwell and Henry Geldzahler, the first curator of twentieth-century art at the Metropolitan Museum.
Cook and Oliver also lived among writers, and Cook caught several on film, including Lorraine Hansberry and Norman Mailer. Other artists and dozens of wonderful characters and scenes are also immortalized by Cook's unfailing eye for telling detail and composition. Oliver writes of Cook's work, the people they knew, and the places they visited or lived. The poet's beautiful text captures not only the vivifying qualities of her partner's work, but the texture of their shared world. In Mary Oliver's words, Cook taught the beginner poet "to see, with searching attention and compassion."
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A private person by nature, Mary Oliver (1935–2019) gave very few interviews over the years. Instead, she preferred to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published twenty books of poetry and six books of prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008).
Molly Malone Cook (1925–2005), was born in San Francisco. One of the first photographers hired by the Village Voice, in 1960 she opened what was probably the first photography gallery on the East Coast. She also owned a bookstore, which was occasionally staffed by the filmmaker John Waters. Later, Cook became a literary agent to Oliver and other writers. Oliver and Cook lived together for more than forty years.
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Buch. Etat : Neu. Neuware - Mary Oliver, winner of the Pulitzer Prize for poetry, is one of the most celebrated poets in America. Molly Malone Cook, who died in 2005, was Oliver's partner for many years, a pioneer gallery owner and photographer. Our World weaves forty-nine of Cook's photographs and selections from her journals with Oliver's extended writings, both reminiscence and reflection, in prose and in poetry. The result is an intimate revelation of their lives and art. Within the art world, Molly Malone Cook made her reputation as an early advocate of photography as an art form; she was a champion of the work of now-famous photographers, including Edward Steichen, Eugene Atget, Berenice Abbott, Minor White, Ansel Adams, Harry Callahan, and W. Eugene Smith. There are famous faces here as well, captured by Cook's camera, among them Walker Evans, Robert Motherwell and Henry Geldzahler, the first curator of twentieth-century art at the Metropolitan Museum.Cook and Oliver also lived among writers, and Cook caught several on film, including Lorraine Hansberry and Norman Mailer. Other artists and dozens of wonderful characters and scenes are also immortalized by Cook's unfailing eye for telling detail and composition. Oliver writes of Cook's work, the people they knew, and the places they visited or lived. The poet's beautiful text captures not only the vivifying qualities of her partner's work, but the texture of their shared world. In Mary Oliver's words, Cook taught the beginner poet 'to see, with searching attention and compassion.'. N° de réf. du vendeur 9780807068809
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Etat : New. A private person by nature, Mary Oliver (1935&ndash2019) gave very few interviews over the years. Instead, she preferred to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times r. N° de réf. du vendeur 1759030907
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Hardcover. Etat : New. Intertwined in art and life: the prose of Mary Oliver and the photographs of Molly Malone Cook Mary Oliver, winner of the Pulitzer Prize for poetry, is one of the most celebrated and best-selling poets in America. Molly Malone Cook, who died in 2005, was Oliverâs partner for many years, a pioneer gallery owner and photographer. This book joins Cookâs photographs with Oliverâs proseâ"a uniquely intimate intertwining of their lives and art. There are famous faces here, among them Lorraine Hansberry, Walker Evans, Norman Mailer, and even, through a restaurant window in Venice, Jean Cocteau. Other artists and dozens of wonderful characters and scenes are also immortalized by Cookâs unfailing eye for telling detail and perfect compositionâ"two strangers playing chess, laundry billowing in a cityscape, a Pueblo Indian with his 1958 Cadillac. Mary Oliver writes of Cookâs work, the people they knew, and the places they visited or lived. The poetâs beautiful text captures not only the unique qualities of her partnerâs work, but the very texture of their shared world. Within the art world, Molly Malone Cook made her reputation as an early advocate of photography as an art form; she was a champion of the work of now-famous photographers, including Edward Steichen, Eugene Atget, Berenice Abbott, Minor White, Ansel Adams, Harry Callahan, and W. Eugene Smith. Perhaps as important, in Mary Oliverâs moving words, Cook taught the beginner poet âto see, with searching attention, and compassion.â âHer most affecting work [is] not in verse but in proseâ¦remembrances of her relationship with photographer Molly Malone Cook, who died two years ago. Oliverâs half-dozen passages recalling her partner from Our World [are] heartfelt, intimate, loving.â â"John Marshall, Seattle Post-Intelligencer, 2/5/08 âThe photographs Oliver has chosen reflect Cook's intuitive relationship with her subjects (even inanimate objects). The little girl on the stoop in New York City looks directly at the photographer, as does a kindly Robert Motherwell and a fierce, almost intimidating Walker Evans. Even though most of the photographs are dominated by a central person or object, there is a lot to look at in the margins, all part of the story. The stance of her subjectsâ"reading a book, looking through a telescopeâ"is always distinctive, creating the mood of the entire composition. The two photos of Oliver could have been taken only by someone who knew the subject well.â â"Susan Salter Reynolds, L. A. Times, 1/6/08 âCook was evidently an accomplished printer as well as a photographer and the images have been beautifully reproducedâ¦In a photo which Cook took of Jean Cocteau dining in Venice in May 1954â"one of her several fine portraits of celebritiesâ"we glimpse the photographer silhouetted in an oval mirror on the wall behind the French poet. Her own face is hidden by her upheld camera but we sense that she controls the composition. In this selection of Cookâs work, so admirable in intention, she herself remains something of a shadow in a mirror. But perhaps, given her honesty of eye, we come to know her best by seeing the world as it once appeared through the discretion of her lens.â â"Eric Ormsby, The New York Sun, 12/5/2007. N° de réf. du vendeur 79957
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