A New Way of Seeing: Distance and Traumatic Memory in the Poetry of World War II - Couverture rigide
Synopsis
A New Way of Seeing considers the poetry of five writers—Louis Simpson, Keith Douglas, Richard Hugo, Howard Nemerov, and Randall Jarrell—whose work draws on their activities as soldiers in World War II. Basing his examination on extensive primary-source research, Michael Sarnowski identifies distance, both literal and figurative, and traumatic memory as two interconnected elements of how these poets internalized the war and made sense of the events they witnessed.
The book is structured on a gradient related to each poet's proximity to combat, as the chapters in turn focus on an infantryman (Simpson), a tank commander (Douglas), a bombardier (Hugo), a pilot (Nemerov), and a stateside flight instructor (Jarrell). Sarnowski relies on a wealth of archival material overlooked by previous scholarship, including poem drafts, correspondence, flight logs, and personal belongings. The conclusion revisits notions of legacy and representation by assessing factors that contributed to the early labeling of World War II soldiers as a "Silent Generation," in contrast to the outpouring of poetry published during and following the First World War.
By exploring how poets processed their wartime experiences, A New Way of Seeing offers a stark reminder of why it remains vital to recognize the physical, mental, and psychological consequences endured by veterans.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Michael Sarnowski is a writer and educator who has taught at universities in the U.S. and the U.K. Originally from Rochester, New York, he lives in Liverpool, England.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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A New Way of Seeing: Distance and Traumatic Memory in the Poetry of World War II (American Wars and Popular Culture)
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A New Way of Seeing: Distance and Traumatic Memory in the Poetry of World War II (American Wars and Popular Culture)
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A New Way of Seeing
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Hardback. Etat : New. A New Way of Seeing considers the poetry of five writers-Louis Simpson, Keith Douglas, Richard Hugo, Howard Nemerov, and Randall Jarrell-whose work draws on their activities as soldiers in World War II. Basing his examination on extensive primary-source research, Michael Sarnowski identifies distance, both literal and figurative, and traumatic memory as two interconnected elements of how these poets internalized the war and made sense of the events they witnessed. The book is structured on a gradient related to each poet's proximity to combat, as the chapters in turn focus on an infantryman (Simpson), a tank commander (Douglas), a bombardier (Hugo), a pilot (Nemerov), and a stateside flight instructor (Jarrell). Sarnowski relies on a wealth of archival material overlooked by previous scholarship, including poem drafts, correspondence, flight logs, and personal belongings. The conclusion revisits notions of legacy and representation by assessing factors that contributed to the early labeling of World War II soldiers as a "Silent Generation," in contrast to the outpouring of poetry published during and following the First World War. By exploring how poets processed their wartime experiences, A New Way of Seeing offers a stark reminder of why it remains vital to recognize the physical, mental, and psychological consequences endured by veterans. N° de réf. du vendeur LU-9780807183991
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Hardcover. Etat : new. Hardcover. A New Way of Seeing considers the poetry of five writersLouis Simpson, Keith Douglas, Richard Hugo, Howard Nemerov, and Randall Jarrellwhose work draws on their activities as soldiers in World War II. Basing his examination on extensive primary-source research, Michael Sarnowski identifies distance, both literal and figurative, and traumatic memory as two interconnected elements of how these poets internalized the war and made sense of the events they witnessed. The book is structured on a gradient related to each poet's proximity to combat, as the chapters in turn focus on an infantryman (Simpson), a tank commander (Douglas), a bombardier (Hugo), a pilot (Nemerov), and a stateside flight instructor (Jarrell). Sarnowski relies on a wealth of archival material overlooked by previous scholarship, including poem drafts, correspondence, flight logs, and personal belongings. The conclusion revisits notions of legacy and representation by assessing factors that contributed to the early labeling of World War II soldiers as a "Silent Generation," in contrast to the outpouring of poetry published during and following the First World War. By exploring how poets processed their wartime experiences, A New Way of Seeing offers a stark reminder of why it remains vital to recognize the physical, mental, and psychological consequences endured by veterans. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780807183991
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A New Way of Seeing - Distance and Traumatic Memory in the Poetry of World War II (eng)
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A New Way of Seeing
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ISBN 10 : 0807183997
ISBN 13 : 9780807183991
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Hardback. Etat : New. A New Way of Seeing considers the poetry of five writers-Louis Simpson, Keith Douglas, Richard Hugo, Howard Nemerov, and Randall Jarrell-whose work draws on their activities as soldiers in World War II. Basing his examination on extensive primary-source research, Michael Sarnowski identifies distance, both literal and figurative, and traumatic memory as two interconnected elements of how these poets internalized the war and made sense of the events they witnessed. The book is structured on a gradient related to each poet's proximity to combat, as the chapters in turn focus on an infantryman (Simpson), a tank commander (Douglas), a bombardier (Hugo), a pilot (Nemerov), and a stateside flight instructor (Jarrell). Sarnowski relies on a wealth of archival material overlooked by previous scholarship, including poem drafts, correspondence, flight logs, and personal belongings. The conclusion revisits notions of legacy and representation by assessing factors that contributed to the early labeling of World War II soldiers as a "Silent Generation," in contrast to the outpouring of poetry published during and following the First World War. By exploring how poets processed their wartime experiences, A New Way of Seeing offers a stark reminder of why it remains vital to recognize the physical, mental, and psychological consequences endured by veterans. N° de réf. du vendeur LU-9780807183991
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A New Way of Seeing: Distance and Traumatic Memory in the Poetry of World War II (American Wars and Popular Culture)
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