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Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Cedric J. Robinson (1940-2016) was professor of Black Studies and political science at the University of California, Santa Barbara. He is author of four other books, including Black Marxism: The Making of the Black Radical Tradition (from the University of North Carolina Press).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Paperback or Softback. Etat : New. Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film Before World War II. Book. N° de réf. du vendeur BBS-9780807858417
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Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9780807858417
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Vendeur : Greener Books, London, Royaume-Uni
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Paperback. Etat : New. Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early ""talkies"" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema. N° de réf. du vendeur LU-9780807858417
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Offers an understanding of race in America through an analysis of theater and film of the early twentieth century. This work argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Num Pages: 448 pages, 21 illustrations, notes, index. BIC Classification: 1KBB; 3JJC; 3JJF; AN; APFA; JFSL3. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 30. Weight in Grams: 667. . 2007. New. paperback. . . . . N° de réf. du vendeur V9780807858417
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 445 pages. 9.25x6.00x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __0807858412
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early ""talkies"" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema. N° de réf. du vendeur LU-9780807858417
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