A bold reinterpretation of the causes and legacy of Nat Turner's rebellion--and the new definitive account. In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more--a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events.
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Anthony E. Kaye (1962–2017) taught history at Pennsylvania State University and was the vice president of scholarly programs at the National Humanities Center. An influential scholar of Atlantic slavery and American history, he served as an associate editor of The Journal of the Civil War Era. His final book, Nat Turner, Black Prophet, was completed with the assistance of Gregory P. Downs, a professor of history at the University of California, Davis. Downs is the author of After Appomattox as well as other scholarly books, and his writing has appeared in The Atlantic and The Washington Post. He received an MFA from the Iowa Writers’ Workshop and is also the author of Spit Baths, which won the Flannery O’Connor Award for Short Fiction.
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