Honorable Mention, ATHE's 2018 Outstanding Book Award
Contextualizing the techniques and methods of the incredibly rich and vital genre of site-specific performance, author Bertie Ferdman traces the evolution of that term. Originally used for experimental staging practices and then later also for engaged situational events, site-specific is no longer sufficient for the genre's many contemporary variations. Using the term off-site, Ferdman illustrates five distinct ways artists have challenged the disciplinary framework of site-specific theatre: blurring the traditional boundaries between the fictional and the real; changing how the audience and actor interact with each other and whether they are physically together or apart; fabricating sites from physically bound, conceptually constructed, or virtual spaces; staging live situations in real/nonreal and often mediated encounters; and challenging our preconceived notions of time and space. Tracing the genealogy of site-based work through the twentieth and twenty-first centuries, Ferdman outlines the theoretical groundwork for her study in the introduction. Individual chapters focus on distinct types of off-sites--the interdisciplinary discourse of disciplinary sites; the spaces of audience engagement with spectator sites; the dislocation of time for temporal sites; and the historiographical spaces of mapping for urban sites. Ferdman examines site-based work being done in the Americas by contemporary companies and artists experimenting with new forms and practices for site-driven theatre. Key productions discussed include Private Moment by David Levine, Geyser Land by Mary Ellen Strom and Ann Carlson, Jim Findlay's Dream of the Red Chamber, and Lola Arias' Mi Vida Después.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Bertie Ferdman is a contemporary performance scholar whose essays have appeared in TDR, Theater, PAJ, Theatre Journal, Theatre Survey, Performance Research, TCG, and HowlRound. She is Associate Professor at Borough Manhattan Community College at the City University of New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Off Sites: Contemporary Performance beyond Site-Specific rethinks current definitions of "site-specific performance"-a genre of theatre that adopts spaces outside of traditional theatre buildings and uses the experience of space, place, and situation as an integral component to the structure and content of a theatrical work. This book looks at key productions of artists working in this genre, including Private Moment by David Levine and Geyser Land, conceived and directed by video artist Mary Ellen Strom and choreographer Ann Carlson.This incredibly rich and vital part of theatre in the past several decades has become diverse enough that the term "site-specific" has ceased to adequately describe it. Contextualizing site-specific practices in both visual and performing arts discourses, author Bertie Ferdman traces the evolution of that term from an experimental staging practice to an engaged situational event. Substituting the term "off-site," she illustrates the ways in which a new generation of artists have challenged the disciplinary frameworks of site-specific theatre. She focuses on five distinct ways in which these artists do that: 1) blurring the traditional boundaries between the fictional and the real; 2) changing how the audience and actor interact with each other and whether they are physically together or apart; 3) fabricating sites from physically bound, conceptually constructed, or virtual spaces; 4) establishing live situations in real vs. fiction; and 5) challenging our preconceived notions of time and space. The first chapter outlines the book's primary goals, traces the genealogy of site-based work through the twentieth and twenty-first centuries, and presents the theoretical groundwork for the book. Each subsequent chapter focuses on a particular type of "off-site": Disciplinary Sites, Spectator Sites, Temporal Sites, Urban Sites, and contains several case studies.Main questions asked by this study include: How are artists and performances engaging with site? What sites do contemporary theatre practices engender? How does live performance negotiate such sites? N° de réf. du vendeur LU-9780809334704
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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