A face looked into mine, and, in front of me, were those dreadful eyes. Then, whether I was dead or living, I said to myself that this could be nothing human—nothing fashioned in God's image could wear such a shape as that. Fingers were pressed into my cheeks, they were thrust into my mouth, they touched my staring eyes, shut my eyelids, then opened them again, and—horror of horrors!—the blubber lips were pressed to mine—the soul of something evil entered into me in the guise of a kiss.
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‘No room!— Full up!’ He banged the door in my face. That was the final blow. To have tramped about all day looking for work; to have begged even for a job which would give me money enough to buy a little food; and to have tramped and to have begged in vain,— that was bad. But, sick at heart, depressed in mind and in body, exhausted by hunger and fatigue, to have been compelled to pocket any little pride I might have left, and solicit, as the penniless, homeless tramp which indeed I was, a night’s lodging in the casual ward,— and to solicit it in vain!— that was worse. Much worse. About as bad as bad could be. I stared, stupidly, at the door which had just been banged in my face. I could scarcely believe that the thing was possible. I had hardly expected to figure as a tramp; but, supposing it conceivable that I could become a tramp, that I should be refused admission to that abode of all ignominy, the tramp’s ward, was to have attained a depth of misery of which never even in nightmares I had dreamed. As I stood wondering what I should do, a man slouched towards me out of the shadow of the wall. ’Won’t ‘e let yer in?’ ‘He says it’s full.’
Richard Marsh (1857-1915) was the pseudonym of the British author born Richard Bernard Heldman. He is best known for his supernatural thriller The Beetle: A Mystery, published in the same year as Bram Stoker's Dracula and initially even more popular. Heldman was educated at Eton and Oxford University. Several of the prolific Marsh's novels were published posthumously.
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