. . . . between Tarzan's avenging of his ape foster mother's death and his becoming leader of his ape tribe. In JUNGLE TALES OF TARZAN, Burroughs gives us an Ape-Man who might have fit in a television sitcom or a domestic drama. We see a Tarzan whose character is barely hinted at in the events of Tarzan on the Apes -- this is a collection of stories that take place in the same years as that first novel, but show us a very different aspect of Tarzan. We see "Tarzan's First Love," a tale of a teenage Tarzan with a distracting crush on a big-but-beautiful female gorilla called Teeka. The Ape-Man (well, boy, actually) declares his love for her and battles a childhood friend for her favor. But in the end he comes to understand that some things are Just Not Meant To Be, and forsakes his childhood heart-throb . . . In "The God of Tarzan," the Ape-Man asks himself the meaning of life -- and attempts to track down God in the same way that he would follow the spoor of a wounded deer. In "Tarzan Rescues the Moon," Tarzan sees a lunar eclipse and in his efforts to rescue the moon, shoots arrows into the moon until the moon re-emerges from the eclipse. In the end, it's Tarzan's struggle to find real meanings in the world around him that distinguish him from the apes who are his adoptive kin -- and make him as fascinating today as he was a hundred years ago.
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Edgar Rice Burroughs (1875 - 1950) was an American writer best known for his creations of the jungle hero Tarzan and the heroic Mars adventurer John Carter, although he produced works in many genres. Burroughs was in his late 60s and was in Honolulu at the time of the Japanese attack on Pearl Harbor. Despite his age, he applied for and received permission to become a war correspondent, becoming one of the oldest U.S. war correspondents during World War II. This period of his life is mentioned in William Brinkley's bestselling novel Don't Go Near the Water.
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