In Narratives Unsettled, Samuel Frederick proposes a new conception of narrativity that can accommodate unwieldy, recalcitrant forms of digression. By way of close readings of three distinct German-language writers, Frederick demonstrates that digression, far from being a non- or anti-narrative interruption, contributes to what makes these writers’ works fundamentally narrative. The author thus counters several basic assumptions of classical narratology, including the belief—rooted in Aristotle—that a narrative without a plot is a logical impossibility, and that anything deviating from a narrative’s purposeful whole is either destructive or insignificant. Frederick’s readings of the narrative experiments, utopian moments, and obsessions with the trivial in the works of Walser, Bernhard, and Stifter point to new ways of approaching the ostensibly anti-narrative as a productive element of narrativity. As a work that explores the often neglected crossroads of German studies and postclassical narratology, Narratives Unsettled will be of great interest to scholars in both of these fields, as well as to those working on literature and theory in general.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
SAMUEL FREDERICK is an associate professor of German at the Pennsylvania State University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. In Narratives Unsettled, Samuel Frederick proposes a new conception of narrativity that can accommodate unwieldy, recalcitrant forms of digression. By way of close readings of three distinct German-language writers, Frederick demonstrates that digression, far from being a non- or anti-narrative interruption, contributes to what makes these writers works fundamentally narrative. The author thus counters several basic assumptions of classical narratology, including the beliefrooted in Aristotlethat a narrative without a plot is a logical impossibility, and that anything deviating from a narratives purposeful whole is either destructive or insignificant. Fredericks readings of the narrative experiments, utopian moments, and obsessions with the trivial in the works of Walser, Bernhard, and Stifter point to new ways of approaching the ostensibly anti-narrative as a productive element of narrativity. As a work that explores the often neglected crossroads of German studies and postclassical narratology, Narratives Unsettled will be of great interest to scholars in both of these fields, as well as to those working on literature and theory in general. Argues by way of close readings of three very different German-language writers that only if we conceive of narrativity unburdened by plot can we properly account for radical forms of digression. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780810128187
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Etat : New. "Narratives Unsettled" argues by way of close readings of three very different German-language writers that only if we conceive of narrativity unburdened by plot can we properly account for radical forms of digression. Num Pages: 224 pages. BIC Classification: 2ACG; DSB. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 340. . 2012. Paperback. . . . . N° de réf. du vendeur V9780810128187
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