Based on a vast amount of archival research, Adrienne Macki Braconi’s illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealedits limits. The stage was a site on which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi’s book alters our understanding of the Harlem Renaissance, the roots of the civil rights movement, and the history of community theater in America.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
ADRIENNE MACKI BRACONI is an assistant professor in the Department of Dramatic Arts at the University of Connecticut.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Based on a vast amount of archival research, Adrienne Macki Braconis illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealedits limits. The stage was a site on which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconis book alters our understanding of the Harlem Renaissance, the roots of the civil rights movement, and the history of community theater in America. Based on a vast amount of archival research, Adrienne Macki Braconis illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780810132252
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Etat : New. Based on a vast amount of archival research, Adrienne Macki Braconi's illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Num Pages: 232 pages. BIC Classification: 1KBBEY; 3JJG; AN; HBTB. Category: (G) General (US: Trade). Dimension: 229 x 152. Weight in Grams: 525. . 2015. Paperback. . . . . N° de réf. du vendeur V9780810132252
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