Examining theatrical performance under Stalinist cultural mandates
Talk of Joseph Stalin's 'show trials ' the public prosecutions in Moscow's Hall of Columns in the late 1930s is so familiar as to obscure the relationship between actual shows - in the Soviet Union's major theaters - and politics. Travesty Actors: Self and Theater in Stalinist Culture examines theatrical performance within the context of the Soviet cultural establishment's fashioning of a 'genuine Soviet person.' Boris Wolfson focuses on prominent and controversial plays by artists including Aleksandr Afinogenov Mikhail Bulgakov Yuri Olesha and Natalia Sats and the efforts of theater companies like the Moscow Arts Theater the Meyerhold Theater and the Central Children's Theater to adhere to this cultural mandate while grappling with repression censorship and conflicting interpretations of its aims. Drawing on archival materials diaries and memoirs and eyewitness accounts Wolfson greatly illuminates the achievements of Soviet theater during this harsh period and the cultural significance of artistic theories and practices for articulating and enacting ideological programs.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
BORIS WOLFSON (1975-2024) was an associate professor of Russian at Amherst College. He coedited the volume Russian Performances: Word, Object, Action.
SIMON MORRISON is a professor in the Departments of Music and Slavic Languages and Literatures at Princeton University.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Examining theatrical performance under Stalinist cultural mandatesTalk of Joseph Stalin's 'show trials,' the public prosecutions in Moscow's Hall of Columns in the late 1930s, is so familiar as to obscure the relationship between actual shows - in the Soviet Union's major theaters - and politics. Travesty Actors: Self and Theater in Stalinist Culture examines theatrical performance within the context of the Soviet cultural establishment's fashioning of a 'genuine Soviet person.' Boris Wolfson focuses on prominent and controversial plays by artists including Aleksandr Afinogenov, Mikhail Bulgakov, Yuri Olesha, and Natalia Sats and the efforts of theater companies, like the Moscow Arts Theater, the Meyerhold Theater, and the Central Children's Theater, to adhere to this cultural mandate while grappling with repression, censorship, and conflicting interpretations of its aims. Drawing on archival materials, diaries and memoirs and eyewitness accounts, Wolfson greatly illuminates the achievements of Soviet theater during this harsh period and the cultural significance of artistic theories and practices for articulating and enacting ideological programs. N° de réf. du vendeur LU-9780810149243
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Paperback. Etat : new. Paperback. Examining theatrical performance under Stalinist cultural mandatesTalk of Joseph Stalin's 'show trials,' the public prosecutions in Moscow's Hall of Columns in the late 1930s, is so familiar as to obscure the relationship between actual shows - in the Soviet Union's major theaters - and politics. Travesty Actors: Self and Theater in Stalinist Culture examines theatrical performance within the context of the Soviet cultural establishment's fashioning of a 'genuine Soviet person.' Boris Wolfson focuses on prominent and controversial plays by artists including Aleksandr Afinogenov, Mikhail Bulgakov, Yuri Olesha, and Natalia Sats and the efforts of theater companies, like the Moscow Arts Theater, the Meyerhold Theater, and the Central Children's Theater, to adhere to this cultural mandate while grappling with repression, censorship, and conflicting interpretations of its aims. Drawing on archival materials, diaries and memoirs and eyewitness accounts, Wolfson greatly illuminates the achievements of Soviet theater during this harsh period and the cultural significance of artistic theories and practices for articulating and enacting ideological programs. Travesty Actors: Self and Theater in Stalinist Culture is a groundbreaking study of theatrical performance under Stalin, focusing on the fashioning of a "genuine Soviet person" on the stage. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780810149243
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