As dismissal and disdain of Jews speak through the art of some leading twentieth-century poets, so the poetry of Rodger Kamenetz artfully answers, framing in subtle terms the questions that haunt our culture-about the voices through which culture speaks, about the identity of poet and poetry, about the capacity of art to harm and to heal. Whether subjecting the anti-Semitic verses of T. S. Eliot to a literary trial; conjuring the eloquence with which "Allen Ginsberg forgives Ezra Pound on Behalf of the Jews"; or drawing upon personal history, the Torah, and Jewish mysticism to explore the tangled relations of Jewish identity and modern literature, Kamenetz's poems attest to the inexorable power of language.
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Rodger Kamenetz's The Jew in the Lotus (Harper San Francisco, 1995) is the classic account of Jewish Buddhist dialogue; his Stalking Elijah (Harper San Francisco, 1997) won the National Jewish Book Award for 1997. His four previous books of poetry include The Missing Jew: New and Selected Poems (Time Being Books, 1992), which reviewers called "the most significant book of American Jewish poetry" of its year, citing him as " one of the most formidable of Jewish voices of American poetry." His poems won a PrairieSchooner Reader's Choice award and have appeared in scores of publication including The New Republic, Grand Street, and Tikkun, and in a dozen major anthologies including Telling and Remembering, Jewish AmericanPoetry, and The Best Contemporary Jewish Writing. Kamenetz teaches poetry and non-fiction writing in the MFA program at Louisiana State University and directs the Art-Spirit program at Vermont Studio Centers. He also edits Psalm 151, a monthly poetry feature, for the Forward. Kamenetz will be lecturing this fall in various cities about anti-semitism in poetry, the topic of this new book. Kamenetz is a native of Baltimore.
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