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Synopsis
The impact of American underground comix is profound: They galvanized artists both domestically and abroad; they forever changed the economics of comic book publishing; and they influenced generations of cartoonists, including their predecessors. While the works of Robert Crumb and Art Spiegelman are well-known via the New Yorker, Maus, and retrospective collections, the art of their contemporaries such as Gilbert Shelton, Trina Robbins, Justin Green, Kim Deitch, S. Clay Wilson, and many other seminal cartoonists who came of age in the 1960s is considerably less known.
'Underground Classics' provides the first serious survey of underground comix as art, turning the spotlight on these influential and largely underappreciated artists. Essays from curators James Danky and Denis Kitchen, alongside essays by Paul Buhle, Patrick Rosenkranz, Jay Lynch, and Trina Robbins, offer a thorough reflection and appraisal of the underground movement. Over 125 original drawings, paintings, sculptures, and artifacts are featured, loaned from private collections and the artists themselves, making 'Underground Classics' indispensible for the seriousminded comics fan and for the casual reader alike.
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À propos de l?auteur
Denis Kitchen, cartoonist, writer, editor, publisher and entrepreneur, was present at the birth of the underground comics movement. From his first self-published effort, Mom's Homemade Comics No. 1 in 1968, Kitchen has worked with every important artist active in producing underground comix. This long relationship with other artists, many of whom he published through Krupp Comics Works and Kitchen Sink Press, is the basis for both the exhibition and this catalogue.
À propos de la quatrième de couverture
The impact of American underground comix is profound: They galvanized artists both domestically and abroad; they forever changed the economics of comic book publishing; and they influenced generations of cartoonists, including their predecessors. While the works of Robert Crumb and Art Spiegelman are well-known via the New Yorker, Maus, and retrospective collections, the art of their contemporaries such as Gilbert Shelton, Trina Robbins, Justin Green, Kim Deitch, S. Clay Wilson, and many other seminal cartoonists who came of age in the 1960s is considerably less known.
'Underground Classics' provides the first serious survey of underground comix as art, turning the spotlight on these influential and largely underappreciated artists. Essays from curators James Danky and Denis Kitchen, alongside essays by Paul Buhle, Patrick Rosenkranz, Jay Lynch, and Trina Robbins, offer a thorough reflection and appraisal of the underground movement. Over 125 original drawings, paintings, sculptures, and artifacts are featured, loaned from private collections and the artists themselves, making 'Underground Classics' indispensible for the seriousminded comics fan and for the casual reader alike.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Underground Classics: The Transformation of Comics into Comix
Edité par
Harry N. Abrams, 2009
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Underground classics, the transformation of comics into comix. Introduction by Jay Lynch
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Underground Classics
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Underground Classics: the Transformation of Comics Into Comix
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Underground Classics: The Transformation of Comics into Comix
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Underground Classics: The Transformation of Comics into Comix
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Underground Classics: The Transformation of Comics into Comix
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Harry N. Abrams, 2009
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ISBN 13 : 9780810905986
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Underground Classics: The Transformation of Comics into Comix
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