A history of the development of art from 1776 to 1900 includes discussions of the careers of distinguished artists such as David, Manet, Renoir, and Rodin.
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A book that broke new ground when it was first published, 19th-Century Art today reads with the same authority and scholarly verve as it has for the past twenty years.
This revised and updated edition remains true to the original, with its magisterial survey of painting and sculpture presented in four historical parts, beginning in 1776 and ending with the dawn of the new century at the Paris Exposition Universelle (World's Fair) of 1900. The text draws on the historical documentation of the period, tracing the dynamics of the making and viewing of art, and examining the reciprocal influences of art and technology, art and politics, art and literature, art and music.
19th-Century Art has been influential in cementing the reputations of many painters and sculptors, and this new edition adds more artists to the pantheon. It also explores for the first time the work of photographers, who themselves provoked new ways of looking at nineteenth-century painting. Historical perspective is enhanced in this edition with a selection of sparkling critical and artistic responses to many of the key works of art since their creation, such as: Gericault on the public response to his famous Raft of the Medusa, John Ruskin on Turner, and poet Baudelaire on the sculpture of the day.
To match the opulence of the subject, the new edition features 540 illustrations, 370 of which are in full color.
Appropriate for Art majors.
Originally published twenty years ago, Nineteenth Century Art, Second Edition remains true to the original, with its superior survey of Western painting and sculpture presented in four historical parts, beginning in 1776 and ending with the dawn of the new century. This text draws on the historical documentation of the period, tracing the dynamics of the making and viewing of art, and examining the reciprocal influences of art and technology, art and politics, art and literature, art and music.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st. Cloth, 527 pages, illustrations (some colour); 30 cm. Painting by Robert Rosenblum; Sculpture by H. W. Janson. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Dust jacket with light edgewear. A large-format coffee-table book. Profusely illustrated. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated, with several colour plates. *** Authoritative survey of 19th-Century Art: Neoclassicism and Romanticism through Realism, Impressionism and Symbolism. Most surveys of 19th-century art give short shrift to sculpture, but this volume is exceptional. *** CONTENTS: PART I: 1776-1815; Painting, Changes in history painting; France; Jacques-Louis David; Francisco de Goya y Lucientes; The rise of Romanticism in England; The Neoclassic-Romanticism Dilemma; Painting in France after David; The Image of the Ruler; Varieties of Landscape Painting; The Nazarenes; Romantic Meditations in German and England; Sculpture, England; Scandinavia; France; Antonio Canova; The early Thorvaldsen; Austria and Germany; PART II: 1815-1848; Painting, Retrospection and Introspection: the congess of Vienna and Late Goya; Theodore Gericault; Delacroix, Ingres, and the Romantic-Classic Conflict in France; Turner and Romantic Visionaries; Constable and Romantic Naturalism; From History Painting to Biedermeier; Empirical Directions; Social Observers; Sculpture, The Mature Thorvaldsen; England; United States; Italy; Germany; France; The Romantic Theory of Sculpture; PART III 1848-1870; Painting, The 1848 Revolution: some Pictorial Responses; Jean-Francois Millet; Gustave Courbet; Materialism versus Idealism; Poverty and Piety; The Pre-Raphaelite Brotherhood; History Painting; Escapist Modes in Figure and Landscape Painting; The 1860s: Manet and Painting in Paris; Painting out of doors: Toward Impressionism; PART IV: 1870-1900; Painting, Reflections of the Frano-Prussian War; 1874: The First Impressionist Exhibition; 1874: At the Paris Salon and the Royal Academy; The 1870s: From Realism to Aetheticism; Interiors: Domestic and Erotic; Changes in History Painting and Portraiture; National Landscape; Paul Cezanne; Georges Seurat and Neo-Impressionism; Vincent van Gogh; Ensor, Klinger, Redon; Pul Gauguin and the Origins of Symbolism; The 1890s: Postscript ad Prologue; fin de siecle. Size: 4to. Collectible. N° de réf. du vendeur 036917
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Vendeur : Bookbot, Prague, Rébublique tchèque
Hardcover. Etat : Fair. Unbekannte Unterschrift / Widmung. In an extraordinary partnership, H.W. Janson and Robert Rosenblum explore the nineteenth century's creative wellsprings and present here the first comprehensive view of its achievements. Janson's History of Art, translated into thirteen languages, has revolutionized the study of art history. Rosenblum, his brilliant colleague, is a major force in the field, both as writer and as teacher. To match the opulence of their subject, the authors selected over 500 illustrations, of which 89 are faithfully reproduced in excellent color. Dr. Janson photographed many of the sculptures himself, and many of the paintings have never before been reproduced in color. In their text, Rosenblum and Janson draw from the historical documentation of the period the dynamics of the making and viewing of art, examining the reciprocal influences of art and technology, art and politics, art and literature, art and music. N° de réf. du vendeur 920bcbc4-e6e5-4390-914a-dac27a47b72c
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