With the death of Balthus in February 2001, the world lost one of the greatest painters of the twentieth century. Born into an aristocratic Polish family in 1908, Balthus grew up amid the most cultivated and artistic circles of Geneva, Berlin, and Paris. Brilliantly precocious, he developed early his dual fascinations with the East and with Europe's old masters - inspirations that show in the poise and peculiar timelessness of his paintings. But his work is also suffused with an eroticism and a sense of mystery that betray more modern influences. Balthus was an artist of unflinching integrity. Out of step with the modern movement, he pursued his artistic vision in relative obscurity, hailed by only a tiny group of connoisseurs, until the 1960s. By the mid-1980s his work had achieved international renown, but he remained acutely wary of public scrutiny. He believed passionately that his paintings were to be looked at, not read about, or read into. As a result the enigmatic aura of his art came to envelop the man himself - even when, in his later years, he finally let down his guard and allowed journalists and scholars into his magnificent chalet home at Rossiniere in the Swiss Alps. Following his father's death, Stanislas Klossowski de Rola has written a new introduction to this book, which presents Balthus's most important paintings. New to this expanded edition are Balthus's last painting, The Waiting, and the controversial Guitar Lesson from 1934. Rare photographs show the young Balthus in his studio, while more recent images by the legendary photographer Henri Cartier-Bresson, the artist's friend, complete this tribute to one of the great artists of recent times.
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" From time to time, amidst all the trials and errors, it happens: I recognize what I was looking for. All of a sudden the vision that preexisted incarnates itself, more or less intuitively and more or less precisely. The dream and the reality are superimposed and made one." —Balthus
Published to document Gagosian Gallery’s 2015 Balthus exhibition in Paris, this striking new book depicts the beautiful paintings, drawings, and photographs that were part of that career-spanning exhibition, the first of Balthus’s work in Paris since the 1983–84 retrospective at the Centre Georges Pompidou. Vibrant color reproductions of the artist’s interior portraits, street scenes, and landscapes, along with striking installation shots, present the self-taught classicism that Balthus cultivated as a framework for his more enigmatic artistic investigations. A conversation between Olivier Zahm and Setsuko Klossowska de Rola completes the catalogue, providing an insightful look into the world of this reclusive painter of charged and disquieting narrative scenes.
Olivier Zahm is the cofounder and editor in chief of Purple Fashion. He is an accomplished photographer and has curated exhibitions at art institutions worldwide.
Internationally exhibited Japanese painter Setsuko Klossowska de Rola is the widow of Balthus and the honorary president of the Balthus Foundation.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : COME NUOVO. Harry N Abrams Inc cm.24x28, pp.160, brossura con bandelle e copertina figurata a colori. With the death of Balthus in February 2001, the world lost one of the greatest painters of the twentieth century. Born into an aristocratic Polish family in 1908, Balthus grew up amid the most cultivated and artistic circles of Geneva, Berlin, and Paris. Brilliantly precocious, he developed early his dual fascinations with the East and with Europe's old masters - inspirations that show in the poise and peculiar timelessness of his paintings. But his work is also suffused with an eroticism and a sense of mystery that betray more modern influences. Balthus was an artist of unflinching integrity. Out of step with the modern movement, he pursued his artistic vision in relative obscurity, hailed by only a tiny group of connoisseurs, until the 1960s. By the mid-1980s his work had achieved international renown, but he remained acutely wary of public scrutiny. He believed passionately that his paintings were to be looked at, not read about, or read into. As a result the enigmatic aura of his art came to envelop the man himself - even when, in his later years, he finally let down his guard and allowed journalists and scholars into his magnificent chalet home at Rossiniere in the Swiss Alps. Following his father's death, Stanislas Klossowski de Rola has written a new introduction to this book, which presents Balthus's most important paintings. New to this expanded edition are Balthus's last painting, The Waiting, and the controversial Guitar Lesson from 1934. Rare photographs show the young Balthus in his studio, while more recent images by the legendary photographer Henri Cartier-Bresson, the artist's friend, complete this tribute to one of the great artists of recent times. N° de réf. du vendeur 338893
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