Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets's captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women's Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Yevgenia Belorusets is a Ukrainian writer, artist, and photographer who lives between Kyiv and Berlin. She is the author of the "unsettling and illuminating" (Washington Post) collection of stories Lucky Breaks and the cycle of lectures Modern Animal (ISOLARII). Her photographic work has been shown in the Ukrainian pavilion at the Venice Biennale in 2015 and 2022. She is a member of the Hudrada curatorial collective and cofounder of Prostory, a journal for literature, art, and politics.
Eugene Ostashevsky is a poet, translator, and scholar. He is the author of The Pirate Who Does Not Know the Value of Pi and The Life and Opinions of DJ Spinoza. He teaches in the Liberal Studies program at NYU.
Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets's captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women's Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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