India produces more films than any other country in the world and these works are consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by the Indian communities across the world. This text focuses on how such a dominant media configures the ""nation"" in post-Independence Hindi cinema. The author scrutinizes approxiamtely 30 films that have appeared since 1950 and demonstrates how concepts of the nation centre this cinema's moral universe. As a form of storytelling, Indian cinema provides an account of social history and cultural politics, with the family deployed as a symbol of the nation. Virdi demonstrates how Hindi films' portrayal of the nation as a mythical community collapses under the weight of its own contradictions - irreconcilable differences that encompass gender, sexuality, family, class and religious communities.
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Hard cover. Etat : Very good. No dust jacket. Sewn binding. Cloth over boards. 280 p. Contains: Illustrations. Audience: General/trade. No previous owner's name. Clean, tight pages. No bent corners. EB 76. N° de réf. du vendeur Alibris.0043473
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Vendeur : Works on Paper, DeKalb, IL, Etats-Unis
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Vendeur : Works on Paper, DeKalb, IL, Etats-Unis
Hardcover. Etat : New. No Jacket. A new copy of the first hard cover edition, lacking the dust-jacket. The text is of course wholly unmarked, pristine, and the cloth binding is bright and fresh in appearance. This copy was purchased originally from the publisher. No remainder mark. A brilliant copy. N° de réf. du vendeur 015831
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