The inimitable, haunting films of Alfred Hitchcock took place in settings, both exterior and interior, that deeply impacted our experiences of his most unforgettable works. From the enclosed spaces of Rope and Rear Window to the wide-open expanses of North by Northwest, the physical worlds inhabited by desperate characters are a crucial element in our perception of the Hitchcockian universe. As Christine Madrid French reveals in this original and indispensable book, Hitchcock's relation to the built world was informed by an intense engagement with location and architectural form--in an era marked by modernism's advance--fueled by some of the most creative midcentury designers in film.
Hitchcock saw elements of the built world not just as scenic devices but as interactive areas to frame narrative exchanges. In his films, building forms also serve a sentient purpose--to capture and convey feelings, sensations, and moments that generate an emotive response from the viewer. Visualizing the contemporary built landscape allowed the director to illuminate Americans' everyday experiences as well as their own uncertain relationship with their environment and with each other.
French shares several untold stories, such as the real-life suicide outside the Hotel Empire in Vertigo (which foreshadowed uncannily that film's tragic finale), and takes us to the actual buildings that served as the inspiration for Psycho's infamous Bates Motel. Her analysis of North by Northwest uncovers the Frank Lloyd Wright underpinnings for Robert Boyle's design of the modernist house from the film's celebrated Mount Rushmore sequence and ingeniously establishes the Vandamm House as the prototype of the cinematic trope of the villain's lair. She also shows how the widespread unemployment of the 1930s resulted in a surge of gifted architects transplanting their careers into the film industry. These practitioners created sets that drew from contemporary design schools of thought and referenced real structures, both modern and historic. The Architecture of Suspense is the first book to document how these great architectural minds found expression in Hitchcock's films and how the director used their talents and his own unique vision to create an enduring and evocative cinematic world.
Publication of this volume was assisted by a grant from Furthermore: a program of the J. M. Kaplan Fund
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Christine Madrid French, a native of Los Angeles, is a historian, author, and screenwriter specializing in architecture, Hollywood, and film.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. The inimitable, haunting films of Alfred Hitchcock took place in settings, both exterior and interior, that deeply impacted our experiences of his most unforgettable works. From the enclosed spaces of Rope and Rear Window to the wide-open expanses of North by Northwest, the physical worlds inhabited by desperate characters are a crucial element in our perception of the Hitchcockian universe. As Christine Madrid French reveals in this original and indispensable book, Hitchcock's relation to the built world was informed by an intense engagement with location and architectural form-in an era marked by modernism's advance-fueled by some of the most creative midcentury designers in film.Hitchcock saw elements of the built world not just as scenic devices but as interactive areas to frame narrative exchanges. In his films, building forms also serve a sentient purpose-to capture and convey feelings, sensations, and moments that generate an emotive response from the viewer. Visualizing the contemporary built landscape allowed the director to illuminate Americans' everyday experiences as well as their own uncertain relationship with their environment and with each other.French shares several untold stories, such as the real-life suicide outside the Hotel Empire in Vertigo (which foreshadowed uncannily that film's tragic finale), and takes us to the actual buildings that served as the inspiration for Psycho's infamous Bates Motel. Her analysis of North by Northwest uncovers the Frank Lloyd Wright underpinnings for Robert Boyle's design of the modernist house from the film's celebrated Mount Rushmore sequence and ingeniously establishes the Vandamm House as the prototype of the cinematic trope of the villain's lair. She also shows how the widespread unemployment of the 1930s resulted in a surge of gifted architects transplanting their careers into the film industry. These practitioners created sets that drew from contemporary design schools of thought and referenced real structures, both modern and historic. The Architecture of Suspense is the first book to document how these great architectural minds found expression in Hitchcock's films and how the director used their talents and his own unique vision to create an enduring and evocative cinematic world. N° de réf. du vendeur LU-9780813947679
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Paperback. Etat : new. Paperback. The inimitable, haunting films of Alfred Hitchcock took place in settings, both exterior and interior, that deeply impacted our experiences of his most unforgettable works. From the enclosed spaces of Rope and Rear Window to the wide-open expanses of North by Northwest, the physical worlds inhabited by desperate characters are a crucial element in our perception of the Hitchcockian universe. As Christine Madrid French reveals in this original and indispensable book, Hitchcocks relation to the built world was informed by an intense engagement with location and architectural formin an era marked by modernisms advancefueled by some of the most creative midcentury designers in film.Hitchcock saw elements of the built world not just as scenic devices but as interactive areas to frame narrative exchanges. In his films, building forms also serve a sentient purposeto capture and convey feelings, sensations, and moments that generate an emotive response from the viewer. Visualizing the contemporary built landscape allowed the director to illuminate Americans everyday experiences as well as their own uncertain relationship with their environment and with each other.French shares several untold stories, such as the real-life suicide outside the Hotel Empire in Vertigo (which foreshadowed uncannily that films tragic finale), and takes us to the actual buildings that served as the inspiration for Psychos infamous Bates Motel. Her analysis of North by Northwest uncovers the Frank Lloyd Wright underpinnings for Robert Boyles design of the modernist house from the films celebrated Mount Rushmore sequence and ingeniously establishes the Vandamm House as the prototype of the cinematic trope of the villains lair. She also shows how the widespread unemployment of the 1930s resulted in a surge of gifted architects transplanting their careers into the film industry. These practitioners created sets that drew from contemporary design schools of thought and referenced real structures, both modern and historic. The Architecture of Suspense is the first book to document how these great architectural minds found expression in Hitchcocks films and how the director used their talents and his own unique vision to create an enduring and evocative cinematic world. In this original and indispensable book, Christine Madrid French reveals Hitchcocks relation to the built world was informed by an intense engagement with location and architectural form - in an era marked by modernisms advance - fueled by some of the most creative midcentury designers in film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780813947679
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