Despite their self-presentation as iconoclasts, the writers of the Beat Generation were deeply engaged with the classical tradition. Many of them were university-trained and highly conscious of their literary forebears, and they frequently incorporated their knowledge of Greco-Roman literature into their own subversive, experimental practice. Seeking to transcend the superficiality, commercialism, and precariousness of life in post-World War II America, the Beat writers found in their classical models both a venerable literary heritage and a discourse of sublimity through which to articulate their desire for purity.
In this volume, a diverse group of contributors explore for the first time the fascinating tensions and paradoxes that arose from interactions between these avant-garde writers and a literary tradition often seen as conservative and culturally hegemonic. With essays that cover the canonical Beat authors--such as Allen Ginsberg, Jack Kerouac, and William Burroughs--along with less well-known figures--including Kenneth Rexroth, Ed Sanders, and Diane di Prima--Hip Sublime: Beat Writers and the Classical Tradition brings long overdue attention to the Beat movement's formative appropriation of the Greek and Latin classics.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sheila Murnaghan is the Alfred Reginald Allen Memorial Professor of Greek in the Department of Classical Studies at the University of Pennsylvania. She is the author of Disguise and Recognition in the Odyssey.
Ralph M. Rosen is the Vartan Gregorian Professor of the Humanities in the Department of Classical Studies at the University of Pennsylvania. He is the author of Making Mockery: The Poetics of Ancient Satire.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. Hip Sublime | Beat Writers and the Classical Tradition | Sheila Murnaghan | Buch | Gebunden | Englisch | 2018 | The Ohio State University Press | EAN 9780814213551 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 109569786
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Despite their self-presentation as iconoclasts, the writers of the Beat Generation were deeply engaged with the classical tradition. Many of them were university-trained and highly conscious of their literary forebears, and they frequently incorporated their knowledge of Greco-Roman literature into their own subversive, experimental practice. Seeking to transcend the superficiality, commercialism, and precariousness of life in post-World War II America, the Beat writers found in their classical models both a venerable literary heritage and a discourse of sublimity through which to articulate their desire for purity.In this volume, a diverse group of contributors explore for the first time the fascinating tensions and paradoxes that arose from interactions between these avant-garde writers and a literary tradition often seen as conservative and culturally hegemonic. With essays that cover the canonical Beat authors-such as Allen Ginsberg, Jack Kerouac, and William Burroughs-along with less well-known figures-including Kenneth Rexroth, Ed Sanders, and Diane di Prima-Hip Sublime: Beat Writers and the Classical Tradition brings long overdue attention to the Beat movement's formative appropriation of the Greek and Latin classics. N° de réf. du vendeur 9780814213551
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