Though the five poems of Lamentations undoubtedly refer to the Babylonian siege and destruction of Jerusalem in 587 BCE, the multiple voices that narrate unspeakable suffering and labor to make sense of the surrounding horror do so at women's expense.
In the opening chapters, a prevailing metaphor of Jerusalem as a woman (Woman Zion) portrays a weeping widow, abandoned and alone, who soon becomes the target of blame for the downfall of the city and its inhabitants. Vague sexual improprieties craft the basis of her sinfulness, seemingly to justify her immense suffering as punishment. The damning effect of such a metaphor finds company in subsequent accounts of women, young girls, and mothers--all victims of the destruction recorded therein. But this feminist interpretation of Lamentations does not stop at merely documenting the case against women; it also demonstrates how such texts can serve as sources of strength by lifting up portraits of courageous resistance amid the rubble of misogynist landscapes.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gina Hens-Piazza is Joseph S. Alemany Professor of Biblical Studies at the Jesuit School of Theology of Santa Clara University, a school within the Graduate Theological Union in Berkeley, California. She is the author of Of Methods, Monarchs, and Meanings: An Approach to Socio-Rhetorical Exegesis (Macon, GA: Mercer University Press, 1996), New Historicism and Biblical Interpretation in the Guides to Biblical Scholarship series (Minneapolis: Fortress, 2002), Nameless, Blameless and without Shame: The Tale of Two Cannibal Mothers before a King in the Interfaces series (Collegeville, MN: Liturgical Press, 2006), and Abingdon Old Testament Commentaries: 1 and 2 Kings (Nashville: Abingdon, 2008). Hens-Piazza is a frequent lecturer nationally and internationally. She received her PhD and MPhil from Union Theological Seminary, New York, and her MA from Vanderbilt University.
Barbara E. Reid, general editor of the Wisdom Commentary series, is a Dominican Sister of Grand Rapids, Michigan. She is the Carroll Stuhlmueller, CP Distinguished Professor of New Testament Studies, and president emerita of Catholic Theological Union (the first woman who held the position). She has been a member of the CTU faculty since 1988 and also served as vice president and academic dean from 2009 to 2018. She holds a PhD in biblical studies from The Catholic University of America and was president of the Catholic Biblical Association in 2014-2015. Her most recent publications are Luke 1-9 and Luke 10-24, co-authored with Shelly Matthews (WCS 43A, 43B; Liturgical Press, 2021); and At the Table of Holy Wisdom: Global Hungers and Feminist Biblical Interpretation (Paulist, 2023).
Alison M. Benders, Emerita, Jesuit School of Theology, Santa Clara University, is the author of the award-winning Just Prayer: A Book of Hours for Peacemakers and Justice Seekers, and Recollecting America's Original Sin, published by Liturgical Press.
Nancy Haught is an award-winning journalist who covered religion and spirituality for fifteen years for The Oregonian, the largest daily newspaper in the Pacific Northwest.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. Though the five poems of Lamentations undoubtedly refer to the Babylonian siege and destruction of Jerusalem in 587 BCE, the multiple voices that narrate unspeakable suffering and labor to make sense of the surrounding horror do so at womens expense.In the opening chapters, a prevailing metaphor of Jerusalem as a woman (Woman Zion) portrays a weeping widow, abandoned and alone, who soon becomes the target of blame for the downfall of the city and its inhabitants. Vague sexual improprieties craft the basis of her sinfulness, seemingly to justify her immense suffering as punishment. The damning effect of such a metaphor finds company in subsequent accounts of women, young girls, and mothersall victims of the destruction recorded therein. But this feminist interpretation of Lamentations does not stop at merely documenting the case against women; it also demonstrates how such texts can serve as sources of strength by lifting up portraits of courageous resistance amid the rubble of misogynist landscapes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780814681541
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Hardback. Etat : New. Though the five poems of Lamentations undoubtedly refer to the Babylonian siege and destruction of Jerusalem in 587 BCE, the multiple voices that narrate unspeakable suffering and labor to make sense of the surrounding horror do so at women's expense.In the opening chapters, a prevailing metaphor of Jerusalem as a woman (Woman Zion) portrays a weeping widow, abandoned and alone, who soon becomes the target of blame for the downfall of the city and its inhabitants. Vague sexual improprieties craft the basis of her sinfulness, seemingly to justify her immense suffering as punishment. The damning effect of such a metaphor finds company in subsequent accounts of women, young girls, and mothers-all victims of the destruction recorded therein. But this feminist interpretation of Lamentations does not stop at merely documenting the case against women; it also demonstrates how such texts can serve as sources of strength by lifting up portraits of courageous resistance amid the rubble of misogynist landscapes. N° de réf. du vendeur LU-9780814681541
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