The illuminations of The Saint John's Bible have delighted many with their imaginative takes on Scripture. But many struggle to appreciate the calligraphy more deeply than merely noting its beauty. Does calligraphy mean something? How is it beautiful?
This book, written by a biblical scholar who has spent years working with this Bible, shows how calligraphic art powerfully interplays visual form, textual content, and creative process. Homrighausen proposes five lenses for this art form: gardens, weaving, pilgrimage, touching, and enfleshing words. Each of these lenses springs from the poetry of the Song of Songs, its illuminations in The Saint John's Bible, and medieval ways of understanding the scribe's craft. While these metaphors for calligraphic art draw from this particular illuminated Bible, this book is aimed at all lovers of calligraphy, art, and sacred text.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jonathan Homrighausen (MA, Graduate Theological Union) is currently pursuing a PhD in Hebrew Bible/Old Testament at Duke University. He spent two years with the Heritage Edition of The Saint John's Bible while working in Archives & Special Collections at Santa Clara University. He is co-author, with J. David Pleins, of Biblical Hebrew Vocabulary by Conceptual Categories: A Student's Guide to Nouns in the Old Testament (Zondervan, 2017).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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