Originally published in 1975, reprinted in 2005 and out of print for many years, this collection of Donald Judd s writings is now a sought after classic. His uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kazimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland and Claes Oldenburg. His classic 1965 Specific Objects essay, a discussion of sculptural thought in the 1960s, is included alongside the notorious polemical essay Imperialism, Nationalism, Regionalism and much else.
Donald Judd was born in 1928. Convinced that Abstract Expressionism had deteriorated into fakery, Judd began around 1960 to search for an art free of falsehood. In search of a greater simplicity and clarity, he evolved a formal vocabulary of identical rectangular units constructed of industrial materials. He died in 1994.
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EUR 5,59 expédition vers Etats-Unis
Destinations, frais et délaisVendeur : Moe's Books, Berkeley, CA, Etats-Unis
Softcover. Etat : Good. No jacket. Original edition. Shelfworn with soiled covers. Spine cocked. N° de réf. du vendeur 106930
Quantité disponible : 1 disponible(s)
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Good. Dusting and discoloration of covers, with concentrated discoloration / sunning of spine. Rubbing of cover edges and corners; 3.5 cm., 3 cm., 3.8 cm., and 3 mm. of soiling to covers. 2 cm. crease to top right corner and light bumping of bottom right corner of recto. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. N° de réf. du vendeur 38339
Quantité disponible : 1 disponible(s)
Vendeur : Arcana: Books on the Arts, Culver City, CA, Etats-Unis
Printed Wrappers. Etat : Very Good. First Paperback Edition. 232pp, profusely illustrated in b&w. Text in English. Published by The Press of Nova Scotia College of Art and Design in collaboration with New York University Press, this is the first of two volumes of the complete writings - gallery reviews, book reviews, articles, letters to the editor, reports, statements, and complaints - dating from the years 1975-1986 by the late, great Minimalist giant Donald Judd. "These uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than five hundred artists showing in New York at that time, and provides a critical account of this significant era in American art". A most presentable example of the uncommon 1975 first paperbound edition of this vital document showing some light soiling and age-toning. Artist Monograph. N° de réf. du vendeur 026712
Quantité disponible : 1 disponible(s)
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good / Fine. An outstandingly well preserved copy with minimal wear to covers. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. N° de réf. du vendeur 35867
Quantité disponible : 1 disponible(s)
Vendeur : agoodealofbooks, Ypsilanti, MI, Etats-Unis
paperback. Etat : Very Good. very clean 1975 softcover. no marks. clean text. solid binding. very light cover wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs. N° de réf. du vendeur mon0000179592
Quantité disponible : 1 disponible(s)
Vendeur : HM Books, Kingston, NY, Etats-Unis
paperback. Etat : Good. Covers show some slight fading as well as some light rubbing and scuffing. Spine shows some sunning as well as some light creasing. N° de réf. du vendeur mon0000016434
Quantité disponible : 1 disponible(s)