Latina theater and solo performance emerged in the 1990s as vibrant, energetic new genres found on stages from New York to Los Angeles. Many women now work in all aspects of Latina theater--often as playwrights or solo performers--with practitioners ranging from teenagers to grandmothers. Alberto Sandoval-Sánchez and Nancy Saporta Sternbach have previously published a groundbreaking anthology of Latina theater, Puro Teatro. They now offer a critical analysis of theatrical works, presenting a theoretical perspective from which to examine, understand, and contextualize Latina theater as a genre in its own right.
This is the first in-depth study of the entire corpus of Latina theater, based on close readings of works both published and in manuscript. It considers a large body of productions and performances, including works by such internationally known authors as Dolores Prida, Cherríe Moraga, and Janis Astor del Valle. Applying feminist and postcolonial theory as well as theories of transculturation, Sandoval-Sánchez and Sternbach show how, despite cultural differences among Latinas, their works share a common poetics by building upon the politics of representation, identity, and location. In addition to covering theater, this study also shows that solo performance has its own history, properties, structure, and poetics. It examines performances of Carmelita Tropicana, Monica Palacios, and Marga Gomez--artists whose hybrid identities as Latina lesbians constitute living examples of transculturation in the making--to show how solo performance has roots in and digresses from more traditional modes of theater. With their Latina heritage as a unifying link, these women reflect common traits, patterns, dramatic structures, and properties that overcome regional differences. Stages of Life reads these eclectic cultural productions as a unified body of work that contributes to the formation of Latina identity in America today.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alberto Sandoval-Sanchez is Professor of Spanish at Mount Holyoke College and the author of José, Can You See?: Latinos On and Off Broadway.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Friends of Pima County Public Library, Tucson, AZ, Etats-Unis
paperback. Etat : Very Good. Clean Pages. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. Slight edge wear and bumping. N° de réf. du vendeur mon0000012752
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Vendeur : Casa Camino Real, Las Cruces, NM, Etats-Unis
Soft cover. Etat : Near Fine. No Jacket. In near fine condition. A classic of Latina theatre. Clean and tight pages and overall fine. Very slight paper bend on back cover, otherwise fine. 262 pages. N° de réf. du vendeur 005519
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Vendeur : SAVERY BOOKS, Brighton, East Sussex, Royaume-Uni
Soft cover. Etat : Very Good. PAPERBACK 2001. Flat spine. Flat covers. Clean and tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref 200.3. Stages of Life: Transcultural Performance and Identity in U.S. Latina Theater. (The University of Arizona Press). N° de réf. du vendeur 050453
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