An extensively illustrated treatment of this pivotal art movement.
Inspired by American pop art of the 1960s, sots art emerged in the Soviet Union during the 1970s. Both movements used irony, parody, and mockery to expose the core elements of their societies-in the United States, consumerism, and in the USSR, communist ideology. It's the Real Thing is the catalog of a landmark exhibition in which the work of pre- and post-perestroika sots artists was exhibited together for the first time in the United States at the Frederick R. Weisman Art Museum in Minneapolis.
Sots art was originally produced in Moscow by nonofficial Soviet artists who grew up in the 1960s. Strongly influenced by propaganda art, they still remembered the aura of sanctity that had surrounded Stalin. Pop art provided them with tools to confront the objects of their consumerism-political slogans and official images. Instead of enjoying the adulation and mainstream success many pop artists experienced, sots artists were harassed and misunderstood, and their art remained underground and marginal. Not until some of these artists emigrated to New York City in the mid-1970s was sots art hailed in the United States as the first avant-garde movement to come out of the Soviet Union since the 1910s.
It's the Real Thing features work by all the major figures of sots art, including Vitaly Komar and Alexander Melamid, who founded the movement. By liberating culture from generations of accumulated fear and by embracing political changes and alternatives, sots artists created a movement that continues to influence contemporary art in Russia just as pop artists changed the American art world forever. It's the Real Thing illuminates art and artists of this important and fascinating movement.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Regina Khidekel is an art historian who received her Ph.D. from the Leningrad Academy of Art and lives in New York City. She curated the "Soviet Sots and American Pop" exhibit at the Frederick R. Weisman Art Museum.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ZBK Books, Carlstadt, NJ, Etats-Unis
Etat : very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. N° de réf. du vendeur ZWV.0816634459.VG
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 5110554-6
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Vendeur : Antique Emporium, Eau Claire, WI, Etats-Unis
Soft cover. Etat : Near Fine. No Jacket. 1st Edition. Small 4to softbound volume with 104 pages. N° de réf. du vendeur 1276
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Vendeur : Book House in Dinkytown, IOBA, Minneapolis, MN, Etats-Unis
Paperback. Etat : Very Good+. First Edition. Weisman Art Museum / University of Minnesota Press, 1999. Spine is uncreased, binding tight and sturdy; text, photos also very good. NOT an ex-library copy, NO remainder mark. Ships from Dinkytown in Minneapolis, Minnesota. N° de réf. du vendeur 335237
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Vendeur : Black's Fine Books & Manuscripts, Toronto, ON, Canada
Softcover. First Edition, First Printing. pp. 104. Slim 8vo. Illustrated card covers. Replete with black and white, and colour photographs, illustrations, facsimiles. Contents remain bright, clean, and unmarked. Overall, very good+. "Inspired by American pop art of the 1960s, sots art emerged in the Soviet Union during the 1970s. Both movements used irony, parody, and mockery to expose the core elements of their societies -- in the United States, consumerism, and in the USSR, communist ideology. It's the Real Thing is the catalog of a landmark exhibition in which the work of pre- and post-perestroika sots artists was exhibited together for the first time in the United States at the Frederick R. Weisman Art Museum in Minneapolis.Sots art was originally produced in Moscow by nonofficial Soviet artists who grew up in the 1960s. Strongly influenced by propaganda art, they still remembered the aura of sanctity that had surrounded Stalin. Pop art provided them with tools to confront the objects of their consumerism -- political slogans and official images. Instead of enjoying the adulation and mainstream success many pop artists experienced, sots artists were harassed and misunderstood, and their art remained underground and marginal. Not until some of these artists emigrated to New York City in the mid-1970s was sots art hailed in the United States as the first avant-garde movement to come out of the Soviet Union since the 1910s. It's the Real Thing features work by all the major figures of sots art, including Vitaly Komar and Alexander Melamid, who founded the movement. By liberating culture from generations of accumulated fear and by embracing political changes and alternatives, sots artists created a movement that continues to influence contemporary art in Russia just as pop artists changed the American art world forever. It's the Real Thing illuminates art and artists of this important and fascinating movement." "This book has been published in conjunction with the exhibition It's the Real Thing: Soviet and Post-Soviet Sots Art and American Pop Art, which was organized by the Frederick R. Weisman Art Musuem and shown from December 19, 1998, through March 7, 1999. N° de réf. du vendeur 1736
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 104 pages; very good condition; light wear to covers; no internal marks. N° de réf. du vendeur ItReUn65
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