Fake documentaries mimic documentary genre expectations, unraveling the documentary's authority and dismantling understandings of identity, history, and nation. The interdisciplinary essays in F Is for Phony discuss a broad scope of works and explore issues raised by "fake docs" such as the fiction/documentary divide, the ethics of reality-based manipulation, and whether documentariness derives from form or reception.
Defining the borderline between fact and fiction, the contributors reveal what fake documentaries imply and usually make explicit: that many documentaries lie to tell the truth, and that the truth is relative. Contributors: Steve Anderson, Catherine L. Benamou, Mitchell W. Block, Luis Buñuel, Marlon Fuentes, Craig Hight, Charlie Keil, Alisa Lebow, Eve Oishi, Robert F. Reid-Pharr, Gregorio C. Rocha, Jane Roscoe, Catherine Russell, Elisabeth Subrin. Alexandra Juhasz is professor of media studies at Pitzer College. She is author of Women of Vision: Histories in Feminist Film and Video (Minnesota, 2001). Jesse Lerner is associate professor of media studies at Pitzer College.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alexandra Juhasz is professor of media studies at Pitzer College. She is author of Women of Vision: Histories in Feminist Film and Video (Minnesota, 2001). Jesse Lerner is associate professor of media studies at Pitzer College.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. Editor(s): Juhasz, Alexandra; Lerner, Jesse. Series: Visible Evidence S. Num Pages: 244 pages, 25 halftones. BIC Classification: JFD; JFHX. Category: (G) General (US: Trade). Dimension: 254 x 178 x 15. Weight in Grams: 472. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780816642519
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