The first book to fully explore cosmopolitan modern art by black South Africans under apartheid
Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally.
In Art and the End of Apartheid, John Peffer considers in depth the work of black South African artists in the decades leading up to the end of apartheid in 1994. Peffer examines painting and graphic art, photography, avant-garde and performance art, and popular and protest art through artist collectives (such as the Thupelo Art Project and the Medu Art Ensemble) and individuals such as Durant Sihlali and Santu Mofokeng. He shows how South African artists imagined what "postapartheid" could mean during the time of apartheid, even as they struggled with immediate issues of censorship, militancy, street violence and torture, and, more broadly, the problem of self-representation and the social role of art. Peffer describes how, in defiance of the racial polarization that surrounded them, South African artists created "grey areas," nonracialized spaces and hybrid art forms in which both black and white South Africans collaborated. Beyond the boundaries of apartheid, these artists forged connections at home and abroad that modeled a future, more democratic society.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John Peffer is editor of Critical Interventions: Journal of African Art History and Visual Culture, which began publication in 2007. He teaches at Case Western Reserve University in Cleveland.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. Color and b/w Illustrations (illustrateur). First Paperback Edition. Size: 4to - over 9¾" - 12" tall. Book. N° de réf. du vendeur 0839553
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Soft cover. Etat : As New. 1st Edition. 7 X 10 inches. 339 pages. Illustrated with color; and black and white reproductions of artwork. New fine except for small bump to corner. N° de réf. du vendeur 2008235sehelveN-off
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Etat : Very Good. Art and the End of Apartheid. N° de réf. du vendeur FORT798984
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Vendeur : Palimpsest Scholarly Books & Services, Brooktondale, NY, Etats-Unis
Soft cover. Etat : New. 1st Edition. Softcover volume, measuring approximately 7" x 10", is new. xxii/339 pages. "Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. In "Art and the End of Apartheid," John Peffer considers in-depth the work of black South African artists in the decades leading up to the end of apartheid in 1994. Peffer examines painting and graphic art, photography, avant-garde and performance art, and popular and protest art through artist collectives, such as the Thupelo Art Project and the Medu Art E.". N° de réf. du vendeur ABE-1692165364542
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. The first book to fully explore cosmopolitan modern art by black South Africans under apartheidBlack South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. In Art and the End of Apartheid, John Peffer considers in depth the work of black South African artists in the decades leading up to the end of apartheid in 1994. Peffer examines painting and graphic art, photography, avant-garde and performance art, and popular and protest art through artist collectives (such as the Thupelo Art Project and the Medu Art Ensemble) and individuals such as Durant Sihlali and Santu Mofokeng. He shows how South African artists imagined what "postapartheid" could mean during the time of apartheid, even as they struggled with immediate issues of censorship, militancy, street violence and torture, and, more broadly, the problem of self-representation and the social role of art. Peffer describes how, in defiance of the racial polarization that surrounded them, South African artists created "grey areas," nonracialized spaces and hybrid art forms in which both black and white South Africans collaborated. Beyond the boundaries of apartheid, these artists forged connections at home and abroad that modeled a future, more democratic society. N° de réf. du vendeur LU-9780816650026
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