In this fascinating study, Chris Messenger posits F. Scott Fitzgerald as a great master of sentiment in modern American fiction. Sentimental forms both attracted and repelled Fitzgerald while defining his deepest impulses as a prose writer. Messenger demonstrates that the sentimental identities, refractions, and influences Fitzgerald explores in Tender Is the Night define key components in his affective life, which evolved into a powerful aesthetic that informed his vocation as a modernist writer.
In "Tender Is the Night" and F. Scott Fitzgerald's Sentimental Identities, Messenger traces the roots of Fitzgerald's writing career to the deaths of his two infant sisters a few months before his own birth. It was their loss, Fitzgerald wrote, that made him a writer. Messenger highlights how the loss of Fitzgerald's siblings powerfully molded his relation to maternal nurturing and sympathy in Tender Is the Night as well as how it shaped the homosocial intimations of its care-giving protagonist, psychiatrist Dick Diver. A concomitant grief and mourning was fueled by Fitzgerald's intimate and intense creative rivalry with his often-institutionalized wife, Zelda Sayre Fitzgerald. While sentiment is a discredited strain in high modernism, Fitzgerald nevertheless embraced it in Tender Is the Night to fashion this most poignant and beautiful successor to The Great Gatsby. Fitzgerald's aesthetic and emotional preoccupations came most vividly to life in this major novel. Messenger describes how Fitzgerald, creating his character Nicole Warren Diver as a victim of paternal incest, finally found the sentimental key to finishing his novel and uniting his vision of the two narratives of "saving" the two sisters and reimagining the agony of his wife and their marriage. Fitzgerald's productive quarrel with and through sentiment defines his career, and Messenger convincingly argues that Tender Is the Night should be placed alongside TheGreat Gatsby as a classic exemplar of the modern novel.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Chris Messenger is the author of two books on sport and play in American fiction as well as The Godfather and American Culture: How the Corleones Became "Our Gang." He is a professor emeritus of English at the University of Illinois at Chicago.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. In this fascinating study, Chris Messenger posits F. Scott Fitzgerald as a great master of sentiment in modern American fiction. Sentimental forms both attracted and repelled Fitzgerald while defining his deepest nature in prose. Messenger demonstrates that the sentimental identities, refractions, and influences Fitzgerald explores in Tender Is the Night define key components in his affective life that evolved into a powerful aesthetic, which underwrote his stature as a major novelist.In "Tender Is the Night" and F. Scott Fitzgerald's Sentimental Identities, Messenger traces the roots of Fitzgerald's writing career to the deaths of his two infant sisters, a few months before his own birth. It was their loss, Fitzgerald wrote, that made him a writer. Messenger highlights how the loss of his siblings powerfully molded his writer's relation to maternal nurturing and sympathy as well as shaped the homosocial intimations visible in the care-giving protagonist of Tender Is the Night, psychiatrist Dick Diver. A concomitant grief and mourning was articulated and fueled by Fitzgerald's intimate and writerly battle with his often-institutionalized wife, Zelda Sayre Fitzgerald.While sentiment is a discredited strain in high modernism, Fitzgerald nevertheless embraced it in Tender Is the Night to articulate this most poignant and beautiful successor to The Great Gatsby. Fitzgerald's aesthetic and emotional preoccupations came most vividly to life in this major novel. Messenger depicts how Fitzgerald, creating his character Nicole Warren Diver as a victim of paternal incest, finally found the sentimental key to finishing his novel and uniting his vision of the two narratives of "saving" the two sisters and reimagining the agony of his wife and their marriage.Fitzgerald's productive quarrel with and through sentiment brilliantly authorizes his career and Messenger convincingly argues that Tender Is the Night should be placed alongside The Great Gatsby as a classic novel. N° de réf. du vendeur LU-9780817318536
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Etat : New. " Tender Is the Night and F. Scott Fitzgerald s Sentimental Identities" is a major examination of Fitzgerald's 1934 masterpiece as the clearest exemplar of Fitzgerald s sentimentalism, a mode that shaped his distinctive blend of romance and realism throughout his career." Num Pages: 336 pages, illustrations. BIC Classification: DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 25. Weight in Grams: 635. . 2015. 3rd ed. Hardcover. . . . . N° de réf. du vendeur V9780817318536
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Etat : New. " Tender Is the Night and F. Scott Fitzgerald s Sentimental Identities" is a major examination of Fitzgerald's 1934 masterpiece as the clearest exemplar of Fitzgerald s sentimentalism, a mode that shaped his distinctive blend of romance and realism throughout his career." Num Pages: 336 pages, illustrations. BIC Classification: DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 25. Weight in Grams: 635. . 2015. 3rd ed. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780817318536
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Buch. Etat : Neu. Neuware - In this fascinating study, Chris Messenger posits F. Scott Fitzgerald as a great master of sentiment in modern American fiction. Sentimental forms both attracted and repelled Fitzgerald while defining his deepest nature in prose. Messenger demonstrates that the sentimental identities, refractions, and influences Fitzgerald explores in Tender Is the Night define key components in his affective life that evolved into a powerful aesthetic, which underwrote his stature as a major novelist.In "Tender Is the Night" and F. Scott Fitzgerald's Sentimental Identities, Messenger traces the roots of Fitzgerald's writing career to the deaths of his two infant sisters, a few months before his own birth. It was their loss, Fitzgerald wrote, that made him a writer. Messenger highlights how the loss of his siblings powerfully molded his writer's relation to maternal nurturing and sympathy as well as shaped the homosocial intimations visible in the care-giving protagonist of Tender Is the Night, psychiatrist Dick Diver. A concomitant grief and mourning was articulated and fueled by Fitzgerald's intimate and writerly battle with his often-institutionalized wife, Zelda Sayre Fitzgerald.While sentiment is a discredited strain in high modernism, Fitzgerald nevertheless embraced it in Tender Is the Night to articulate this most poignant and beautiful successor to The Great Gatsby. Fitzgerald's aesthetic and emotional preoccupations came most vividly to life in this major novel. Messenger depicts how Fitzgerald, creating his character Nicole Warren Diver as a victim of paternal incest, finally found the sentimental key to finishing his novel and uniting his vision of the two narratives of "saving" the two sisters and reimagining the agony of his wife and their marriage.Fitzgerald's productive quarrel with and through sentiment brilliantly authorizes his career and Messenger convincingly argues that Tender Is the Night should be placed alongside The Great Gatsby as a classic novel. N° de réf. du vendeur 9780817318536
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