Artfully demonstrates the linkage of American literary realism to the texts, myths, and resources of the American West
From Gold Rush romances to cowboy Westerns, from hard-boiled detective thrillers to nature writing, the American West has long been known mainly through hackneyed representations in popular genres. But a close look at the literary history of the West reveals a number of writers who claim that their works represent the “real” West. As Nicolas Witschi shows, writers as varied as Bret Harte, John Muir, Frank Norris, Mary Austin, and Raymond Chandler have used claims of textual realism to engage, replicate, or challenge commonly held assumptions about the West, while historically acknowledged realists like William Dean Howells and Mark Twain have often relied on genre-derived impressions about the region.
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Nicolas S. Witschi is a professor of English at Western Michigan University. A past copresident of the Western Literature Association, author of a Western Writers Series monograph on Alonzo "Old Block" Delano (2006) and of articles and essays on Mary Austin, John Muir, Sinclair Lewis, and Henry James. Most recently, he is the editor of A Companion to the Literature and Culture of the American West (2011) and with Melody Graulich the coeditor of Dirty Words in "Deadwood" Literature and the Postwestern (2013).
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