Performance studies have been increasingly influential on recent developments in musicology, theater, art, and dance history, as these fields shift from primarily text-based disciplines to consider performativity, subjective experience, and particularized practice. At the same time, the editors argue, investigations into the pre- and early-modern periods have been rare in performance studies. Acting on the Past assembles some of the foremost scholars to theorize particular historical performances -- in dance, opera, theater, and music. Exploring relationships between archive and act, text and sounding, subject and practice, this collection expands and redefines our understanding of both past and performance.
CONTRIBUTORS: Annette Richards, Karen Bassi, Joseph Roach, Shelby Rchardson, Catherine M. Soussloff, Mary Carruthers, John Butt, Carolyn Dean, Susan McClary, James Miller.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Performance studies have been increasingly influential on recent developments in musicology, theater, art, and dance history, as these fields shift from primarily text-based disciplines to consider performativity, subjective experience, and particularized practice. At the same time, the editors argue, investigations into the pre- and early-modern periods have been rare in performance studies. Acting on the Past assembles some of the foremost scholars to theorize particular historical performances -- in dance, opera, theater, and music. Exploring relationships between archive and act, text and sounding, subject and practice, this collection expands and redefines our understanding of both past and performance. CONTRIBUTORS: Annette Richards, Karen Bassi, Joseph Roach, Shelby Rchardson, Catherine M. Soussloff, Mary Carruthers, John Butt, Carolyn Dean, Susan McClary, James Miller.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : HPB-Movies, Dallas, TX, Etats-Unis
Paperback. Etat : Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_316623840
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Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_450957989
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. N° de réf. du vendeur M0819563951Z3
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 253 pages. 5.50x5.25x0.25 inches. In Stock. N° de réf. du vendeur __0819563951
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780819563958. N° de réf. du vendeur 9636996
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Vendeur : CURIO, Cleethorpes, North East Lincolnshire, Royaume-Uni
Soft cover. Etat : Very Good. No Jacket. 1st Edition. First Paperback Edition / First Print (number line on copyright page 5 4 3 2 1). Paperback copy, no dustjacket as issued. 243pp. B/w illustrations throughout. Signed by author in black ink to half title page 'For Lenny, from author'. Not library copy, no creasing to spine. (58/3). Signed by Author(s). N° de réf. du vendeur ABE-1708360517001
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