Signs and Abominations is a radical tour de force that interrogates the relationship between religion and art at the end of the 20th century in penetrating and sensuous prosody. It can be read as a series of damaged likenesses: humans as the damaged image and likeness of God, poems and other works of art as necessarily incomplete attempts to approach and represent the numinous and the ineffable.The reader is guided through its five interconnected sections by diverse voices: Michelangelo, Andres Serrano, Flannery O'Connor, Emily Dickinson, Soren Kierkegaard, Augustine, to name a few. All of the book's figures -- the child-Crusaders stumbling toward Jerusalem, the man who wants to preserve for posterity his body entirely covered with tattoos, Andres Serrano submerging a crucifix in his own urine -- set out on a deformed search for signs of the divine among the abominations of the profane. These poems are brilliance cast back at the hypocritical religiosity of those who refuse to admit that the spiritual and the profane inextricably encompass each other, and that art and religion have more in common than not.
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Signs and Abominations is a radical tour de force that interrogates the relationship between religion and art at the end of the 20th century in penetrating and sensuous prosody. It can be read as a series of damaged likenesses: humans as the damaged image and likeness of God, poems and other works of art as necessarily incomplete attempts to approach and represent the numinous and the ineffable. The reader is guided through its five interconnected sections by diverse voices: Michelangelo, Andres Serrano, Flannery O'Connor, Emily Dickinson, Soren Kierkegaard, Augustine, to name a few. All of the book's figures -- the child-Crusaders stumbling toward Jerusalem, the man who wants to preserve for posterity his body entirely covered with tattoos, Andres Serrano submerging a crucifix in his own urine -- set out on a deformed search for signs of the divine among the abominations of the profane. These poems are brilliance cast back at the hypocritical religiosity of those who refuse to admit that the spiritual and the profane inextricably encompass each other, and that art and religion have more in common than not.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0819564567I2N00
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized. N° de réf. du vendeur M0819564567Z2
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Vendeur : Henry Hollander, Bookseller, Los Angeles, CA, Etats-Unis
Softbound. Etat : Very Good. Small octavo, paper covers, xiv, 138 pp., notes. N° de réf. du vendeur 108199
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Vendeur : Zoar Books & Gallery, Rowe, MA, Etats-Unis
Trade Paperback. Etat : Very Good. First Edition. 6" X 9." 136 pages. A radical tour-de-force that interrogates the relationship between religion and art at the end of the twentieth century. Light soiling on rear cover. Bottom front corner has a crease. Signed and Inscibed By The Aut. N° de réf. du vendeur 001871
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Vendeur : Russell Books, Victoria, BC, Canada
Etat : Very Good. N° de réf. du vendeur FORT853641
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 150 pages. 9.00x6.00x0.50 inches. In Stock. N° de réf. du vendeur __0819564567
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Vendeur : Edmonton Book Store, Edmonton, AB, Canada
Etat : Very Good. Etat de la jaquette : Very Good. 8vo pp. xi 136.Signed nad dedicated by the author on title page. Signed and Dedicated by Author. book. N° de réf. du vendeur 123267
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