Science fiction and socialism have always had a close relationship. Many science fiction novelists and filmmakers have used the genre to examine explicit or implicit Marxist concerns. Red Planets is an accessible and lively account, which makes an ideal introduction to anyone interested in the politics of science fiction. The volume covers a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne, H. G. Wells, Philip K. Dick, and Thomas Disch to Ursula K. Le Guin, Kim Stanley Robinson, Ken MacLeod, and Charles Stross. Contributors include Matthew Beaumont, William J. Burling, Carl Freedman, Darren Jorgensen, Rob Latham, Iris Luppa, Andrew Milner, John Rieder, Steven Shaviro, Sherryl Vint, and Phillip Wegner.
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This collection shows what science fiction criticism can do when Marxist critical practice is joined by science studies and the rest of theory. The results are tremendously exciting and powerful, explaining not just a genre but our world, from the financial crash of 2008 to the utopian impulses that remain always in us. --Kim Stanley Robinson.
This collection marks a red shift in thinking about the history, form, and impact of science fiction literature and film. In robust dialectical manoeuvres, the essays, by a dynamic mix of scholars, simultaneously revive, critique, and transform the vibrant tradition of Marxist sf criticism. The book is a timely, readable, and incisive intervention in contemporary cultural critique. --Tom Moylan is Glucksman Professor of Contemporary Writing in English and Director of the Ralahine Centre for Utopian Studies at the University of Limerick.
Red Planets is a highly readable and interesting collection of essays. Many of the pieces have completely new things to tell us, and will be of interest even to those who are antagonistic toward politically inspired criticism. --Neil Easterbrook, Associate Professor of Critical Theory, Texas Christian University.
Science fiction and socialism have always had a close relationship. Many science fiction novelists and filmmakers have used the genre to examine explicit or implicit Marxist concerns. Red Planets is an accessible and lively account, which makes an ideal introduction to anyone interested in the politics of science fiction. The volume covers a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne, H. G. Wells, Philip K. Dick, and Thomas Disch to Ursula K. Le Guin, Kim Stanley Robinson, Ken MacLeod, and Charles Stross. Contributors include Matthew Beaumont, William J. Burling, Carl Freedman, Darren Jorgensen, Rob Latham, Iris Luppa, Andrew Milner, John Rieder, Steven Shaviro, Sherryl Vint, and Phillip Wegner.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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