A critical companion to the radical DIY record label that challenges the conventions of ethnography, representation, and the category of "world music"
This ground-breaking case study examines record production as ethnographic work. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Founded by punk rocker brothers Alan and Richard Bishop, along with filmmaker Hisham Mayet, the label's releases encompass collagist sound travelogues; individual artist compilations; national, regional and genre surveys; and DVDs--all designed in a distinctive graphic style recalling the DIY aesthetic of punk and indie rock. Sublime Frequencies' producers position themselves as heirs to canonical ethnographic labels such as Folkways, Nonesuch, and Musique du Monde, but their aesthetic and philosophical roots in punk, indie rock, and experimental music effectively distinguish their work from more conventional ethnographic norms. Situated at the intersection of ethnomusicology, sound studies, cultural anthropology, and popular music studies, the essays in this volume explore the issues surrounding the label--including appropriation and intellectual property--while providing critical commentary and charting the impact of the label through listener interviews.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
MICHAEL E. VEAL is a musician and professor of ethnomusicology at Yale University. He is the author of several books, including Fela: The Life and Times of an African Musical Icon and Dub: Soundscapes and Shattered Songs in Jamaican Reggae. E. TAMMY KIM is a writer and member of The New Yorker's editorial staff. She previously worked as a staff writer at Al Jazeera America and as a social justice lawyer.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Paperback. Etat : NEW. Illustrated. N° de réf. du vendeur 2035562
Quantité disponible : 17 disponible(s)
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Paperback. Etat : Very Good. Minimal shelf wear, clean internals. May have remainder mark. N° de réf. du vendeur 2049346
Quantité disponible : 3 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. N° de réf. du vendeur M0819576530Z3
Quantité disponible : 10 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized. N° de réf. du vendeur M0819576530Z4
Quantité disponible : 2 disponible(s)
Vendeur : Gian Luigi Fine Books, Albany, NY, Etats-Unis
PAPERBACK. Etat : VG. FIRST PRINTING. NINE PAGES HAVE UNDERLININGS. N° de réf. du vendeur 032334
Quantité disponible : 1 disponible(s)
Vendeur : Grendel Books, ABAA/ILAB, Springfield, MA, Etats-Unis
Paperback. Etat : Near Fine. First paperback printing. Near fine in illustrated wraps. N° de réf. du vendeur 88271
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 429 pages. 8.75x6.00x1.25 inches. In Stock. N° de réf. du vendeur __0819576530
Quantité disponible : 2 disponible(s)