My Dear Boy brings a largely unexplored dimension of Langston Hughes to light. Carmaletta Williams and John Edgar Tidwell explain that scholars have neglected the vital role that correspondence between Carrie Hughes and her son Langston—Harlem Renaissance icon, renowned poet, playwright, fiction writer, autobiographer, and essayist—played in his work. The more than 120 heretofore unexamined letters presented here are a veritable treasure trove of insights into the relationship between mother Carrie and her renowned son Langston. Until now, a scholarly consensus had begun to emerge, accepting the idea of their lives and his art as simple and transparent. But as Williams and Tidwell argue, this correspondence is precisely where scholars should start in order to understand the underlying complexity in Carrie and Langston’s relationship. By employing Family Systems Theory for the first time in Hughes scholarship, they demonstrate that it is an essential heuristic for analyzing the Hughes family and its influence on his work. The study takes the critical truism about Langston’s reticence to reveal his inner self and shows how his responses to Carrie were usually not in return letters but, instead, in his created art. Thus My Dear Boy reveals the difficult negotiations between family and art that Langston engaged in as he attempted to sustain an elusive but enduring artistic reputation.
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CARMALETTA M. WILLIAMS, professor of English and African American studies at Johnson County Community College, is the author of Langston Hughes in the Classroom: "Do Nothin' till You Hear from Me" and Of Two Spirits: American Indian and African American Oral Histories.
JOHN EDGAR TIDWELL is a professor of English at the University of Kansas. His previous books include Montage of a Dream: The Art and Life of Langston Hughes, After Winter: The Art and Life of Sterling A. Brown, and Writings of Frank Marshall Davis: A Voice of the Black Press.
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Hardcover. Etat : new. Hardcover. My Dear Boy brings a largely unexplored dimension of Langston Hughes to light. Carmaletta Williams and John Edgar Tidwell explain that scholars have neglected the vital role that correspondence between Carrie Hughes and her son LangstonHarlem Renaissance icon, renowned poet, playwright, fiction writer, autobiographer, and essayistplayed in his work.The more than 120 heretofore unexamined letters presented here are a veritable treasure trove of insights into the relationship between mother Carrie and her renowned son Langston. Until now, a scholarly consensus had begun to emerge, accepting the idea of their lives and his art as simple and transparent. But as Williams and Tidwell argue, this correspondence is precisely where scholars should start in order to understand the underlying complexity in Carrie and Langstons relationship. By employing Family Systems Theory for the first time in Hughes scholarship, they demonstrate that it is an essential heuristic for analyzing the Hughes family and its influence on his work. The study takes the critical truism about Langstons reticence to reveal his inner self and shows how his responses to Carrie were usually not in return letters but, instead, in his created art. Thus My Dear Boy reveals the difficult negotiations between family and art that Langston engaged in as he attempted to sustain an elusive but enduring artistic reputation. My Dear Boy brings a largely unexplored dimension of Langston Hughes to light through the study of his private correspondence with his mother, Carrie. More than 120 heretofore unexamined letters reveal the difficult negotiations between family and art that this complex writer navigated while defining his artistic reputation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780820345659
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Etat : New. "Tidwell and Williams analyze the causal relationships in her interactions with Langston and other family members through the use of psychiatrist Murray Bowen's Family Systems Theory (FST). . . . The editors have grouped the 250 letters chronologically into four sections, each preceded by a brief contextual introduction" -- Editor(s): Tidwell, John Edgar; Williams, Carmaletta M. Num Pages: 240 pages, illustrations. BIC Classification: 1KBB; 3JJG; DSK. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 508. . 2013. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780820345659
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Buch. Etat : Neu. Neuware - My Dear Boy brings a largely unexplored dimension of Langston Hughes to light. Carmaletta Williams and John Edgar Tidwell explain that scholars have neglected the vital role that correspondence between Carrie Hughes and her son Langston--Harlem Renaissance icon, renowned poet, playwright, fiction writer, autobiographer, and essayist--played in his work. The more than 120 heretofore unexamined letters presented here are a veritable treasure trove of insights into the relationship between mother Carrie and her renowned son Langston. Until now, a scholarly consensus had begun to emerge, accepting the idea of their lives and his art as simple and transparent. But as Williams and Tidwell argue, this correspondence is precisely where scholars should start in order to understand the underlying complexity in Carrie and Langston's relationship. By employing Family Systems Theory for the first time in Hughes scholarship, they demonstrate that it is an essential heuristic for analyzing the Hughes family and its influence on his work. The study takes the critical truism about Langston's reticence to reveal his inner self and shows how his responses to Carrie were usually not in return letters but, instead, in his created art. Thus My Dear Boy reveals the difficult negotiations between family and art that Langston engaged in as he attempted to sustain an elusive but enduring artistic reputation. N° de réf. du vendeur 9780820345659
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