The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.
Challenging "official jazz histories," the contributors to this volume view jazz through the lenses of comparative literature; African American studies; music, film, and communication theory; English literature; American studies; history; and philosophy. With uncommon rigor and imagination, their essays probe the influence of various discourses--journalism, scholarship, politics, oral history, and entertainment--on writing about jazz. Employing modes of criticism and theory that have transformed study in the humanities, they address questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? How is an African American aesthetic articulated through the music? What are the consequences of the interaction between the critic and the jazz artist? How does the improvising artist navigate between chaos and discipline?
Along with its companion volume, Representing Jazz, this versatile anthology marks the arrival of jazz studies as a mature, intellectually independent discipline. Its rethinking of conventional jazz discourse will further strengthen the position of jazz studies within the academy.
Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Krin Gabbard is Associate Professor of Comparative Literature at the State University of New York, Stony Brook. He is the editor of the companion volume, Representing Jazz, also published by Duke University Press.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 56436303-6
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Vendeur : Lotzabooks, Oak Point, TX, Etats-Unis
Hardcover. Etat : Near Fine. First Edition. Major topics: Rethinking Jazz History; The Jazz Artist Among the Discourses; and The Essential Context: Jazz and Politics. Size: 8vo - over 7¾" - 9¾" tall. 288 pages, index. Book in excellent condition - small bump to back edge of spine, otherwise fine. No interior marks. Quantity Available: 1. Category: Music; ISBN: 0822315815. ISBN/EAN: 9780822315810. Pictures of this item not already displayed here available upon request. Inventory No: 605032. N° de réf. du vendeur 605032
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Vendeur : Jean Blicksilver, Bookseller, Atlanta, GA, Etats-Unis
Hardcover. Etat : Very Good. 1st Edition. Very Good Hardcover; 9 1/2 inches tall; attractively bound in silver cloth with bright, distinct purple lettering on front cover and spine and purple end pages; viii (8) + 288 pages + 1 additional page at end of text; includes musical transcription of Miles Davis, solo, My Funny Valentine, and an index; 2 mild-moderate bumps; limited shelf wear; NO interior writing of any kind; a securely bound book; a scholarly work. N° de réf. du vendeur 23155
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Vendeur : Any Amount of Books, London, Royaume-Uni
Hardcover. 8vo. Pp: viii, 288. First Edition, no dust jacket as issued. Publisher's original silver boards with purple lettering to spine. ISBN: 0822315815 Very good minus. Contents are clean and sound. Text block is a little spotted and boards are a little marked and scratched. Previous barcode sticker affixed to rear board. N° de réf. du vendeur C71815
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