In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen--most often with little apparent regard for the political context in which they operate--Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.
Capturing the political complexity of these films, Willis argues that race, gender, and sexuality, as they are figured in the fantasy of popular film, do not function separately, but rather inform and determine each other's meaning. She demonstrates how collective anxieties regarding social difference are mapped onto big budget movies like the Die Hard and Lethal Weapon series, Basic Instinct, Fatal Attraction, Thelma and Louise, Terminator 2, and others. Analyzing the artistic styles of directors Lynch, Tarantino, and Lee, in such films as Wild at Heart, Pulp Fiction, and Do the Right Thing, she investigates how these interactions of difference are linked to the production of specific authorial styles, and how race functions for each of these directors, particularly in relation to gender identity, erotics, and fantasy.
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Sharon Willis is Associate Professor of French and Visual and Cultural Studies at the University of Rochester.
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Vendeur : Once Upon A Time Books, Siloam Springs, AR, Etats-Unis
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Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-I-020-01644
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book Contains Pen Markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780822320418. N° de réf. du vendeur 9396632
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Vendeur : Kenneth A. Himber, Lebanon, NJ, Etats-Unis
Soft cover. Etat : Very Good. First Softcover Edition. Softcover book is a clean tight unmarked copy. N° de réf. du vendeur 006411
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Vendeur : ACJBooks, Staten Island, NY, Etats-Unis
Paperback. Etat : Fine. This is a trade paperback.INSCRIBED BY AUTHOR. N° de réf. du vendeur mon0000000053
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 280 pages. 9.50x6.25x0.75 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __082232041X
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Examines the dynamic relationships between racial and sexual difference in Hollywood film, from the 1980s and 1990s. Informed by contemporary debates in film and cultural studies, as well as feminist and critical race theory, this book throws light on the intersection of popular film and cultural politics. Num Pages: 280 pages. BIC Classification: APFA; JFC; JFSJ. Category: (P) Professional & Vocational. Dimension: 234 x 151 x 20. Weight in Grams: 458. . 1997. Paperback. . . . . N° de réf. du vendeur V9780822320418
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