Photography is usually written about from the point of view of either the photographer or the viewer. Living with His Camera offers a perspective rarely represented--that of the photographed subject. Dick Blau has been making art photographs of the people he lives with for more than thirty years; cultural theorist Jane Gallop has been living with him--and his camera--for twenty years.
Living with His Camera is Gallop's nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attempts--like Blau's photographs themselves--to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colors at the breakfast table, or naked, sweeping the floor. With her trademark candor, humor, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthes's Camera Lucida, Susan Sontag's On Photography, Kathryn Harrison's novel Exposure, and Pierre Bourdieu's Photography.
Presenting his photographs and her text, Living with His Camera is a portrait of a couple whose professional activity is part of their private lives and whose private life is viewed through their professional gazes. While most of us set aside rigorous thought when we turn to the sentimental realm of home life, Gallop and Blau look at each other not only with great affection but also with the keen focus of a sharp, critical gaze.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jane Gallop is Distinguished Professor of English and Comparative Literature at the University of Wisconsin, Milwaukee. She is the author of numerous works including Around 1981: Academic Feminist Literary Theory and Thinking through the Body. Her books Feminist Accused of Sexual Harassment and Anecdotal Theory are published by Duke University Press. Dick Blau is Professor in the Department of Film at the University of Wisconsin, Milwaukee. He has published two books of photography, Polka Happiness and Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia. Blau's photographs of his family have been featured in journals including Frame/Work, Discourse, and Dreamworks.
Jane Gallop is Distinguished Professor of English and Comparative Literature at the University of Wisconsin, Milwaukee. She is the author of numerous works including Around 1981: Academic Feminist Literary Theory and Thinking through the Body. Her books Feminist Accused of Sexual Harassment and Anecdotal Theory are published by Duke University Press. Dick Blau is Professor in the Department of Film at the University of Wisconsin, Milwaukee. He has published two books of photography, Polka Happiness and Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia. Blau's photographs of his family have been featured in journals including Frame/Work, Discourse, and Dreamworks.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : Good. What does it mean to always be a potential photographic subject, and what does this teach us about photography and the family? Photography is usually written about from the point of view of either the photographer or the viewer. This book offers a perspective of the photographed subject. N° de réf. du vendeur 00109712651
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Hardback. Etat : Good. What does it mean to always be a potential photographic subject, and what does this teach us about photography and the family? Photography is usually written about from the point of view of either the photographer or the viewer. This book offers a perspective of the photographed subject. N° de réf. du vendeur CIN0822331020G
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Hardback. Etat : New. Photography is usually written about from the point of view of either the photographer or the viewer. Living with His Camera offers a perspective rarely represented-that of the photographed subject. Dick Blau has been making art photographs of the people he lives with for more than thirty years; cultural theorist Jane Gallop has been living with him-and his camera-for twenty years. Living with His Camera is Gallop's nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attempts-like Blau's photographs themselves-to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colors at the breakfast table, or naked, sweeping the floor. With her trademark candor, humor, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthes's Camera Lucida, Susan Sontag's On Photography, Kathryn Harrison's novel Exposure, and Pierre Bourdieu's Photography. Presenting his photographs and her text, Living with His Camera is a portrait of a couple whose professional activity is part of their private lives and whose private life is viewed through their professional gazes. While most of us set aside rigorous thought when we turn to the sentimental realm of home life, Gallop and Blau look at each other not only with great affection but also with the keen focus of a sharp, critical gaze. N° de réf. du vendeur LU-9780822331025
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